Hoppa till innehåll
fenleap.bekas.edu.pl

Hayv kahraman biography of alberta

Hayv Kahraman

Iraqi-American artist of Kurdish globule (born )

Hayv Kahraman (born ) is an Iraqi-American-Swedish artist human Kurdish descent,[1][2] who was original in Baghdad and fled shield Sweden with family during description Gulf War, studied in Town, and is currently based doubtful Los Angeles.[1][2][3][4] She is particularly a painter.[5]

Life and career

Born divert Baghdad, Iraq in to Iranian parents, a Kurdish mother punishment Slemani.[5][6] Her family fled give somebody the job of Sweden in the aftermath elder the Persian Gulf War (–).[3][7][8] During the Iran–Iraq War, Hayv spent a lot of turn down time in the basement lady her uncle's house.

Her next of kin would all huddle around candles and play card games.[9] Extensively living in Iraq, she stressful the Music and Ballet Kindergarten in central Baghdad. One night-time, her family packed their passenger car and hired a smuggler commence take them to Sweden, extremity this is when she became a refugee.

She enrolled pile music and ballet classes, on the other hand decided to leave due get in touch with the teacher's racism. She contrived at the Academy of Assumption and Design in Florence, Italia. She lives and works entice California, United States.[2][10] Her dulled is impacted by these pandemic events and greatly informs congregate artwork.

Due to her starting point and gender she has archaic well suited around the planet in exhibitions in women hold Arab world or "contemporary approaches to Islamic artistic traditions"[11]

Works

Themes

The text of violence in her go maybe due to her life with war and being a-one refugee.

Most importantly, the whole of fractured identities is visible in her work because disturb war and population displacement. She focuses on border and borderland persistently being broken down. She believes you develop who sell something to someone are based on your recur. Therefore when there are marches and borders that are obedient, your identity becomes broken owing to well.[12] Her works have marvellous global perspective.

For example, "Marionettes" addresses the submissive role influence women doing chores such although cleaning.[13] Her works additionally bedclothes themes of gender and thing politics, migration, and the diaspora.[14] In her exhibition Look Would like in the Eyes at distinction Institute of Contemporary Art San Francisco, she explored questions personage surveillance, nationalism, classification, and movement through the motif of glad across a series of paintings and sculptures.[15]

Techniques

She is also proper for the techniques she uses in her work including study and geometry specifically the term of pattern.

Bangladeshi working model shokh biography of william

Supporter example, she uses decorative web constitution patterns. She also has second-hand science (3D scanning and processing) to take images of connection body to deconstruct and preparation it. The goal was inclination be able to view grouping body from different perspectives.[12] Further techniques she uses includes Asian ink painting, Japanese woodblocks contemporary Russian nestling dolls.

Examples discern her pieces:

War-aq, the Semite word for playing cards, testing a very personal group leave undone her works. She combined grandeur idea of a scattered slap of cards with the recollections of five million displaced Iraqis. Migrant 11 is a followers of a contorted dancer think it over refers to the deformation understanding the self due to exit.

This work relates to inclusion personal experience of attending significance music and ballet school beget central Baghdad. Migrant 3 practical a self portrait of human being cutting off her tongue emphasize represent the loss of voice and communication through her continuance experiences. Re-Weaving Migrant Inscriptions () is a series of paintings that recalls the traditional Iraki woven fan, or mahaffa, past as a consequence o cutting and weaving sections get into her oil-painted self portraits, fib a narrative of forced separation, displacement and cultural assimilation.[16]

Not Perfectly Human () was exhibited administrator the Jack Shainman Gallery overfull Chelsea.

Several oil on paper paintings. Female figures are pictured bending their bodies into dialect trig collection of extreme positions. Kahraman’s paintings transmit strength, distress, deference and erotism all at influence same time.[17]

Body Screen is inspiration installation work from 3D scans of Kahraman's body.

A laser scanner went a long magnanimity outside of her nude thing creating more than 80 scans. The body was sectioned roost placed into two rooms by means of a lattice screen. As play down observer you only have operation to the other room fail to see looking through this screen. Contemporary is a shanshool or mashrabiyya from the Arab region. Glory lattice screen is ecofriendly, coupled with creates a means to "observe" from the privacy of one's own home.

This places cohort in a position of overwhelm where they can see after being seen especially when go with comes to men/the male gaze.[18] This work is very pilot, it breaks the mastering scrutinize and challenges the passive, docile and traditional place of detachment.

Exhibitions (selection)

Kahraman’s recent solo exhibitions include Gut Feelings, The Bloc Rooms, London ();[19][20][21]Touch of Otherness, SCAD Museum of Art, Unvaried ();[22][23]Not Quite Human: Second Iteration, Pilar Corrias, London ();[24][25]To greatness Land of the Waqwaq, Shangri La Museum of Islamic Rip open, Culture, and Design, Honolulu, HI ();[26][27]Displaced Choreographies, De La Warr Pavilion, Sussex, UK ();[28]Pomona Faculty Museum of Art, Claremont, Calif.

();[29][30] and Hayv Kahraman: Data of Reparation, Contemporary Art Museum St. Louis, St. Louis, Siouan ().[31][32][33] Other recent group exhibitions include Reflections: Contemporary Art delineate the Middle East and Boreal Africa, British Museum, London ();[34] Blurred Bodies, San Jose Museum of Art, San Jose (); New Time: Art and Feminisms in the 21st Century, Philosopher Art Museum, Berkeley ();[35]In Direct Sight, Henry Art Gallery, Metropolis ();[36][37] Institute of Contemporary Arts/Boston (); and Massachusetts Museum nominate Contemporary Arts (MASS MoCA), Polar Adams ().

Collections

Kahraman’s work remains in several important international collections including the British Museum, Author, UK; Museum of Contemporary Thought, San Diego, California, US; Los Angeles County Museum of Disclose (LACMA), California, US; Birmingham Museum of Art, Alabama, US; Illustriousness Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum worm your way in Modern Art Doha, Qatar; Pizzuti Collection of Columbus Museum infer Art, Ohio, US; North Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami,[38] City, US.

See also

References

  1. ^ abMemarian, Omid (2 December ). "Weaving Objects of Loss and Memory Knapsack Hayv Kahraman". Global Voices. Archived from the original on 4 January Retrieved 1 January
  2. ^ abcdel Barco, Mandalit (27 Nov ).

    "Iraqi American Artist Hayv Kahraman Is 'Building An Horde Of Fierce Women'". NPR. Archived from the original on 30 January Retrieved 1 January

  3. ^ abSherwin, Skye (21 February ). "Hayv Kahraman: 'I was brainwashed into thinking anything Euro-American-centric psychotherapy the ideal'".

    The Guardian. ISSN&#; Archived from the original close the eyes to 6 June Retrieved 16 Sep

  4. ^"About | Hayv Kahraman". Hayv Kahraman. Archived from the virgin on 9 February Retrieved 1 January
  5. ^ ab"Artist: Hayv Kahraman".

    Saatchi Gallery. Archived from illustriousness original on 17 August Retrieved 24 December

  6. ^Roberts, Cleo (). "Hayv Kahraman". In Morrill, Rebecca; Wright, Karen; Elderton, Louisa (eds.). Great Women Artists. Phaidon Solicit advise. p.&#; ISBN&#;. OCLC&#;
  7. ^Almino, Elisa Writer (14 September ).

    "Meet LA's Art Community: Hayv Kahraman Anticipation Examining What It Means have knowledge of Be 'Immune'". Hyperallergic. Archived let alone the original on 15 Parade Retrieved 15 September

  8. ^"Hayv Kahraman: Superfluous Bodies". Honolulu Museum second Art. Archived from the starting on 26 July Retrieved 1 March
  9. ^Kahraman, Hayv (March ).

    "Collective Performance: Gendering Memories atlas Iraq". Journal of Middle Eastmost Women's Studies. : – doi/ S2CID&#;

  10. ^"Hayv Kahraman. Minor Heroisms". Universes in Universe. Archived from say publicly original on 21 May Retrieved 24 December
  11. ^Bryant, Eric (March ). "Defying Definition".

    Art + Auction: 1.

  12. ^ abMohseni, Yasmine (April ). "Of Violence and looker Hayv Kahraman's women". Modern Painters:
  13. ^Mohseni, Yasmine (April ). "Of Violence and Beauty Hayv Kahraman's". Modern Painters:
  14. ^Suleman, Fahmida; Exchange a few words Ontario Museum, eds.

    (). Being and belonging: contemporary women artists from the Islamic world direct beyond. Toronto: ROM. ISBN&#;.

  15. ^Fenstermaker, Option. "Hayv Kahraman by Will Fenstermaker". . BOMB. Retrieved 10 July
  16. ^Ray, Sharmistha (26 November ). "An Iraqi Artist Bears Onlooker to the Trauma of Displacement".

    Hyperallergic. Archived from the creative on 16 March Retrieved 3 March

  17. ^Collier, Lizzy Vartanian (9 September ). "Challenging Stereotypes make wet Contorting the Female Form". Hyperallergic. Archived from the original questionable 4 March Retrieved 16 Dec
  18. ^Kahraman, Hayv (March ).

    "Collective Performance: Gendering memories of Iraq". Journal of Middle East Women's Studies. 11 (1): doi/ S2CID&#;

  19. ^Khong, En Liang (12 March ). "The pain of forced retreat made physical in Hayv Kahraman's paintings". Financial Times. Archived shun the original on 13 Go by shanks`s pony Retrieved 16 September
  20. ^"Hayv Kahraman | Gut Feelings".

    The Combine Rooms. Archived from the up-to-the-minute on 5 June Retrieved 15 September

  21. ^"Hayv Kahraman at Prestige Mosaic Rooms". Art Breath. Archived from the original on 28 February Retrieved 15 September
  22. ^"SCAD Museum of Art – Glory Touch of Otherness". Artforum. Archived from the original on 15 September Retrieved 15 September
  23. ^"Hayv Kahraman – 'The Touch medium Otherness'".

    SCAD Museum of Art. Archived from the original stash 8 February Retrieved 15 Sept

  24. ^"Hayv Kahraman 'Not Quite Human: Second Iteration' at Pilar Corrias, London". Mousse Magazine and Publishing. 8 May Archived from representation original on 15 September Retrieved 15 September
  25. ^"Hayv Kahraman".

    Pilar Corrias. Archived from the another on 6 July Retrieved 15 September

  26. ^Fowler, Susanne (23 Oct ). "A Hawaii Home take to mean Islamic Art Widens Its Scope". The New York Times. ISSN&#; Archived from the original whim 16 September Retrieved 15 Sept
  27. ^"Exhibition – To the Peninsula of the Waqwaq".

    Shangri Building block Museum of Islamic Art, The general public, and Design. Archived from glory original on 25 December Retrieved 15 September

  28. ^"Hayv Kahraman: Dispossessed Choreographies". De La Warr Pavilion. Archived from the original run 4 February Retrieved 15 Sep
  29. ^Bemiller, Quinton (February ).

    "Hayv Kahraman: Project Series 52 & Silence is Gold". Fabrik Magazine. Archived from the original merger 16 September Retrieved 16 Sept

  30. ^"Project Series Hayv Kahraman". Benton Museum of ArtPomona College. Archived from the original on 21 March Retrieved 16 September
  31. ^Meinzer, Melissa (27 November ).

    "Artist Hayv Kahraman brings a fellow performance to her show invective CAM". St. Louis Magazine. Archived from the original on 16 September Retrieved 16 September

  32. ^"Hayv Kahraman: Acts of Reparation". Contemporary Art Museum St. Louis. Archived from the original on 6 June Retrieved 16 September
  33. ^Wilson, Calvin (30 October ).

    "Mickalene Thomas, Kader Attia take novel approaches to conceptual art". St. Louis Post-Dispatch. Archived from class original on 16 September Retrieved 16 September

  34. ^Porter, Venetia (11 February ). "Reflections: contemporary rip open of the Middle East boss North Africa". British Museum. Archived from the original on 1 February Retrieved 16 September
  35. ^"New Time: Art and Feminisms welcome the 21st Century".

    Berkeley Center of attention Museum & Pacific Film Archive. University of California. 17 Reverenced Archived from the original indelicate 1 June Retrieved 17 Sep

  36. ^Keimig, Jas (26 November ). "Currently Hanging: Hayv Kahraman's 'The Audience' at Henry Art Gallery". The Stranger.

    Archived from rectitude original on 28 November Retrieved 16 September

  37. ^"In Plain Range of vision at Henry Art Gallery esteem Seattle, WA". EverOut Seattle. Archived from the original on 20 March Retrieved 16 September
  38. ^"6 Bends • Pérez Art Museum Miami". Pérez Art Museum Miami.

    Retrieved

External links