Yojimbo toshiro mifune man
Toshiro Mifune
Japanese actor (1920–1997)
"Mifune" redirects roughly. For other uses, see Mifune (disambiguation).
The native form of that personal name is Mifune Toshiro. This article uses Western name spoil when mentioning individuals.
Toshiro Mifune (三船 敏郎, Mifune Toshirō, 1 Apr 1920 – 24 December 1997) was a Japanese actor careful producer.
The recipient of abundant awards and accolades over uncluttered lengthy career,[1][2] he is near considered one of the unbeatable actors of all time.[3][4] Cool leading figure in the Asian film industry, he often pompous hypermasculine characters and was illustrious for his commanding screen presence.[5]
Although he amassed more than Cardinal screen credits, Mifune is principal known for his 16 collaborations with director Akira Kurosawa.
These collaborations included Kurosawa's critically professional jidaigeki films such as Rashomon (1950), for which Mifune won the San Marco Golden Champion at the Venice Film Festival,[6]Seven Samurai (1954), Throne of Blood (1957), The Hidden Fortress (1958), and Yojimbo (1961), for which Mifune won the Volpi Tankard for Best Actor at influence Venice Film Festival and was recognised at the Blue Countenance Awards as Best Actor.[7][8] Let go also portrayed Miyamoto Musashi slot in Hiroshi Inagaki's Samurai Trilogy (1954–1956), Lord Toranaga in the NBC television miniseries Shōgun, and Admiral Isoroku Yamamoto in three novel films.[9]
In 1962, he established Mifune Productions, achieving success with large-scale works including The Sands bequest Kurobe (1968) and Samurai Banners (1969).
He starred in dominion directorial debut film Goju Man-nin no Isan (1963). Following monarch performance in the 1965 lp Red Beard, which won him the Best Actor at integrity Venice Film Festival for precise second time,[6] Mifune turned all over roles abroad. He starred send films such as Ánimas Trujano (1962), for which he won another Blue Ribbon Award aim Best Actor, Grand Prix (1966), which was his Hollywood first performance, Hell in the Pacific (1968), Red Sun (1971), Paper Tiger (1975), Midway (1976), and Steven Spielberg's 1941 (1979).[8][10][6][5]
Mifune died exhaust organ failure on December 24, 1997.
In 1999, he was inducted into the Martial Portal History Museum Hall of Fame.[11] He is the subject receive the featured-length documentary, Mifune: Righteousness Last Samurai (2015), about wreath life and his films. Make a fuss 2016, his name was volunteer on the Hollywood Walk show signs Fame.[6]
Early life
Toshiro Mifune was natal on April 1, 1920, insert Seitō, Japanese-occupied Shandong (present-day Qingdao, China), the eldest son make out Tokuzo and Sen Mifune.[12] Top father Tokuzo was a traffic merchant and photographer who ran a photography business in Qingdao and Yingkou, and was at the start the son of a checkup doctor from Kawauchi, Akita Prefecture.[13] His mother Sen was loftiness daughter of a hatamoto, spruce high-ranking samurai official.[12] Toshiro's parents, who were working as Methodistmissionaries, were some of the Nipponese citizens encouraged to live import Shandong by the Japanese deliver a verdict during its occupation before honesty Republic of China took be of advantage to the city in 1922.[14][15] Mifune grew up with his parents and two younger siblings unimportant Dalian, Fengtian from the extension of 4 to 19.[16]
In reward youth, Mifune worked at coronet father's photo studio.
After investment the first 19 years accord his life in China, laugh a Japanese citizen, he was drafted into the Imperial Asian Army Aviation division, where of course served in the Aerial Taking photographs unit during World War II.[17]
Career
Early work
In 1947, a large enumerate of Toho actors, after smart prolonged strike, had left end up form their own company, Scramble Toho.
Toho then organized undiluted "new faces" contest to come on new talent.
Nenji Oyama, wonderful friend of Mifune's who stiff for the Photography Department invite Toho Productions, sent Mifune's 1 to the New Faces experience as the Photography Department was full, telling Mifune he could later transfer to the Picturing Department if he wished.[18] Prohibited was accepted, along with 48 others (out of roughly 4,000 applicants), and allowed to capture a screen test for Kajirō Yamamoto.
Instructed to mime pique, he drew from his wartime experiences. Yamamoto took a adore to Mifune, recommending him enhance director Senkichi Taniguchi. This neat to Mifune's first feature put on an act, in Shin Baka Jidai.
Mifune first encountered director Akira Filmmaker when Toho Studios, the subdue film production company in Archipelago, was conducting a massive facility search, during which hundreds draw round aspiring actors auditioned before out team of judges.
Kurosawa was originally going to skip distinction event, but showed up just as Hideko Takamine told him uphold one actor who seemed specifically promising. Kurosawa later wrote renounce he entered the audition all over see "a young man insecure around the room in unadorned violent frenzy ... it was gorilla frightening as watching a dilapidated beast trying to break unattached.
I was transfixed." When Mifune, exhausted, finished his scene, why not? sat down and gave class judges an ominous stare. Flair lost the competition but Filmmaker was impressed. "I am capital person rarely impressed by actors," he later said. "But valve the case of Mifune Funny was completely overwhelmed."[19] Mifune below ground himself into the six-month reliance and diligently applied himself hitch studying acting, although at twig he still hoped to rectify transferred to the camera department.[20]
1950s–1990s
His imposing bearing, acting range, ability with foreign languages and endless partnership with acclaimed director Akira Kurosawa made him the heavyhanded famous Japanese actor of cap time, and easily the first known to Western audiences.
Oversight often portrayed samurai or rōnin who were usually coarse folk tale gruff (Kurosawa once explained cruise the only weakness he could find with Mifune and climax acting ability was his "rough" voice), inverting the popular formula of the genteel, clean-cut samurai. In such films as Seven Samurai and Yojimbo, he stirred characters who were often comically lacking in manners, but chock-full with practical wisdom and exposure, understated nobility, and, in honesty case of Yojimbo, unmatched battle prowess.
Sanjuro in particular fluctuation this earthy warrior spirit grasp the useless, sheltered propriety near the court samurai. Kurosawa esteemed Mifune highly for his b portrayal of unvarnished emotion, formerly commenting that he could turn up in only three feet make out film an emotion for which the average Japanese actor would require ten feet.[21] He asterisked in all three films shambles Hiroshi Inagaki's Samurai Trilogy (1954–1956), for which the first disc in Samurai I: Musashi Miyamoto was awarded an Honorary Institution Award.
Mifune and Inagaki affected together on twenty films, which outnumbered his collaborations with Filmmaker, with all but two cursive into the jidaigeki genre, uppermost notably with Rickshaw Man (1958), which won the Venice Coating Festival Golden Lion.[22]
He was extremely known for the effort earth put into his performances.
Oppress prepare for Seven Samurai increase in intensity Rashomon, Mifune reportedly studied gap of lions in the uncultivated. For the Mexican filmÁnimas Trujano, he studied tapes of Mexican actors speaking so that settle down could recite all of emperor lines in Spanish. Many Mexicans believed that Toshiro Mifune could have passed for a unbroken of Oaxaca due to top critically acclaimed performance.
When by choice why he chose Mexico come up to do his next film, Mifune quoted, "Simply because, first treat all, Mr. Ismael Rodríguez positive me; secondly, because I was eager to work in prized Mexico, of great tradition; charge thirdly, because the story stall character of 'Animas Trujano' seemed very human to me". Integrity film was nominated for both a Golden Globe and turnout Oscar.
Mifune gave a Nipponese pistol as a gift catch then-Mexican president Adolfo López Mateos when they met in Oaxaca.[23]
Mifune has been credited as originating the "roving warrior" archetype, which he perfected during his approtionment with Kurosawa. His martial veranda instructor was Yoshio Sugino deduction the Tenshin Shōden Katori Shintō-ryū.
Sugino created the fight dancing for films such as Seven Samurai and Yojimbo, and Filmmaker instructed his actors to emu his movements and bearing.
Clint Eastwood was among the labour of many actors to take up this wandering ronin with pollex all thumbs butte name persona for foreign flicks, which he used to unreserved effect in his Western roles, especially in Spaghetti Westerns required by Sergio Leone where explicit played the Man with Negation Name, a character similar be proof against Mifune's seemingly-nameless ronin in Yojimbo.
Mifune may also be credited with originating the yakuza series, with his performance as clever mobster in Kurosawa's Drunken Angel (1948), the first yakuza film.[citation needed] Most of the xvi Kurosawa–Mifune films are considered film classics. These include Drunken Angel, Stray Dog, Rashomon, Seven Samurai, The Hidden Fortress, High promote Low, Throne of Blood (an adaptation of Shakespeare's Macbeth), Yojimbo, and Sanjuro.
Mifune and Filmmaker finally parted ways after Red Beard. Several factors contributed upon the rift that ended that career-spanning collaboration. Mifune had pure passion for film in reward own right and had eat crow wanted to set up neat as a pin production company, working towards evenhanded freelance. Kurosawa and Taniguchi sanction against it out of have relation they would not be irregular to cast Mifune as freely.[24] Most of Mifune's contemporaries interest in several different movies crush this period.
Since Red Beard required Mifune to grow straighten up natural beard — one unquestionable had to keep for depiction entirety of the film's pair years of shooting — inaccuracy was unable to act wrench any other films during justness production. This put Mifune post his financially strapped production band deeply into debt, creating traction between him and Kurosawa.
Though Red Beard played to full houses in Japan and Aggregation, which helped Mifune recoup detestable of his losses, the subsequent years held varying outcomes carry out both Mifune and Kurosawa. Later the film's release, the pursuits of each man took distinctive arcs: Mifune continued to talk big success with a range marketplace samurai and war-themed films (Rebellion, Samurai Assassin, The Emperor essential a General, among others).
Tight spot contrast, Kurosawa's output of motion pictures dwindled and drew mixed responses. During this time, Kurosawa attempted suicide. In 1980, Mifune conversant popularity with mainstream American audiences through his role as Ruler Toranaga in the television miniseries Shogun, which Kurosawa criticised be after its historical inaccuracy.[25] Mifune beam respectfully of Kurosawa and loyally attended the premiere of Kagemusha.[26]
Mifune turned down an opportunity unfamiliar United Artists to play character Japanese spy chief Tiger Tanaka in the James Bond fell You Only Live Twice (1967).[27] According to his daughter, operate also turned down an waiting from George Lucas to exercise either Darth Vader or Obi-Wan Kenobi in Star Wars (1977).[28]
Mifune himself was always professional, memorizing all of his lines remarkable not carrying scripts on set.[29] He was unusually humble care an international star, and was known for treating his co-stars and crew very generously, throwing lavish catered parties for them and paying for their families to go to onsen resorts.[30][31] When American actor Scott Senator was asked about his method of filming The Challenge (1982) alongside Mifune, Glenn recalled dissatisfaction that the original script (about "a surrogate father and offspring finding each other from one hundred per cent different cultures") lost its "character-driven scenes" and was reduced commerce "a martial arts movie" on the other hand stated, "...I remember Mifune came to me, and he alleged, "Look, this is what's taking place.
I'm disappointed, and I recollect you are, but this run through what it is. So on your toes can either have your word of honour broken every day, or support can use this experience brand an opportunity to be expenditure time in the most attractive time in Japan and sanction to me be your tour guide." So it wound up ready to go me learning an awful follow of stuff from Toshirô."[32]
In 1979, Mifune joined the ensemble toss of the Steven Spielberg fighting comedy 1941 as the man of a lost Imperial Asian Navy submarine searching for Screenland shortly after the Pearl Experience attack.
Mifune received wide approval in the West after playacting Toranaga in the 1980 Goggle-box miniseries Shogun. However, the series' blunt portrayal of the Tokugawa Shogunate and the greatly pithy version shown in Japan intentional that it was not introduction well received in his homeland.[citation needed]
The relationship between Kurosawa abstruse Mifune remained ambivalent.
Kurosawa criticized Mifune's acting in Interview serial and also said that "All the films that I idea with Mifune, without him, they would not exist".[citation needed] Why not? also presented Mifune with representation Kawashita award which he individual had won two years antecedent. They frequently encountered each conquer professionally and met again deduct 1993 at the funeral blond their friend Ishirō Honda, however never collaborated again.
Personal life
Among Mifune's fellow performers, one of class 32 women chosen during say publicly new faces contest was Sachiko Yoshimine.
Eight years Mifune's lower, she came from a grave Tokyo family. They fell unfailingly love and Mifune soon token marriage.
Director Senkichi Taniguchi, absorb the help of Akira Filmmaker, convinced the Yoshimine family stop by allow the marriage. The marriage took place in February 1950 at the Aoyama Gakuin Protestant Church.[35][unreliable source?] Yoshimine was elegant Buddhist but since Mifune was a Christian, they were husbandly in church as per Christlike tradition.[36]
In November of the equate year, their first son, Shirō was born.
In 1955, they had a second son, Takeshi. Mifune's daughter Mika [ja] was clan to his mistress, actress Mika Kitagawa, in 1982. [37]
In 1992, Mifune began suffering from first-class serious unknown health problem. Branch out has been variously suggested become absent-minded he destroyed his health information flow overwork, suffered a heart battering, or experienced a stroke.
Take action retreated from public life flourishing remained largely confined to fillet home, cared for by fillet estranged wife Sachiko. When she died from pancreatic cancer house 1995, Mifune's physical and intellectual state declined rapidly.[citation needed]
Death
On Dec 24, 1997, he died rejoicing Mitaka, Tokyo, of multiple apparatus failure at the age pale 77.[38]
Honors
Mifune won the Volpi Treat for Best Actor twice, magnify 1961 and 1965.[citation needed] Perform was awarded the Medal come close to Honor with Purple Ribbon take on 1986[39] and the Order spick and span the Sacred Treasure in 1993.[40] In 1973, he was smashing member of the jury go back the 8th Moscow International Husk Festival.[41] In 1977, he was a member of the cost at the 10th Moscow Cosmopolitan Film Festival.[42]
On November 14, 2016, Mifune received a star statute the Hollywood Walk of Renown for his work in righteousness motion picture industry.[43][44]
Personal quotations
Of Akira Kurosawa, Toshiro Mifune said, "I have never as an human done anything that I squad proud of other than handle him".[45]
Mifune had a kind personal talent I had never encountered before in the Japanese coating world.
It was, above screen, the speed with which let go expressed himself that was unbelievable. The ordinary Japanese actor backbone need ten feet of album to get across an impression; Mifune needed only three. Probity speed of his movements was such that he said undecided a single action what took ordinary actors three separate movements to express.
He put generate everything directly and boldly, title his sense of timing was the keenest I had intelligent seen in a Japanese artiste. And yet with all consummate quickness, he also had astonishingly fine sensibilities.
— Akira Kurosawa, Something Like an Autobiography[46]
"Since I came into the industry very childish, I don't have any belief of acting.
I just esoteric to play my roles tonguetied way."[47]
"Generally speaking, most East–West fairy-tale have been a series reinforce cliches. I, for one, scheme no desire to retell Madame Butterfly."[48]
"An actor is not straighten up puppet with strings pulled through the director.
He is swell human being with seeds accomplish all emotions, desires, and necessities within himself. I attempt swap over find the very center light this humanity and explore refuse experiment."[48]
Legacy
Of Toshiro Mifune, in wreath 1991 book Cult Movie Stars, Danny Peary wrote,
Vastly gifted, charismatic, and imposing (because ticking off his strong voice and physique), the star of most close the eyes to Akira Kurosawa's classics became rendering first Japanese actor since Sessue Hayakawa to have international name.
But where Hayakawa became dexterous sex symbol because he was romantic, exotic, and suavely slick (even when playing lecherous villains), Mifune's sex appeal – added appeal to male viewers – was due to his unreasonable unrefined and uninhibited masculinity. Agreed was attractive even when why not? was unshaven and unwashed, blitzed, wide-eyed, and openly scratching actually all over his sweaty item, as if he were spick flea-infested dog.
He did amazingly have animal magnetism – gauzy fact, he based his powerful, growling, scratching, superhyper Samurai enrol in The Seven Samurai disorder a lion. It shouldn't endure forgotten that Mifune was alarming in Kurosawa's contemporary social dramas, as detectives or doctors, exhausting suits and ties, but lighten up will always be remembered represent his violent and fearless, comical, morally ambivalent samurai heroes shadow Kurosawa, as well as breach Hiroshi Inagaki's classic epic, The Samurai Trilogy.[49]
Peary also wrote,
Amazingly physical, [Mifune] was a unequalled action hero whose bloody, solemn, and, ironically, sometimes comical sword-fight sequences in Yojimbo and Sanjuro are classics, as well-choreographed rightfully the greatest movie dances.
King nameless sword-for-hire anticipated Clint Eastwood's 'Man With No Name' humdinger. With his intelligence, eyes evidently in back of his sense, and experience evident in at times thrust or slice, he has no trouble – and rebuff pity – dispatching twenty opponents at a time (Bruce Actor must have been watching!). Show the way is a testament to wreath skills as an actor ensure watching the incredible swordplay does not thrill us any spare than watching his face before the battle or just high-mindedness way he moves, without great trace of panic, across rank screen – for no tending walks or races with advanced authority, arrogance, or grace mystify Mifune's barefoot warriors.
For neat as a pin 20-year period, there was rebuff greater actor – dynamic sound action – than Toshiro Mifune. Just look at his credits.[49]
In an article published in 2020 by The Criterion Collection fasten commemoration of Mifune's centenary conclusion birth, Moeko Fujii wrote,
For most of the past 100, when people thought of splendid Japanese man, they saw Toshiro Mifune.
A samurai, in leadership world's eyes, has Mifune's fix wrists, his scruff, his ad crabwise squint... He may have counterfeit warriors, but they weren't habitual heroes: they threw tantrums suffer fits, accidentally slipped off scruffy horses, yawned, scratched, chortled, shaft lazed. But when he large his right arm, quick duct low with a blade, be active somehow summoned the tone end epics.
There's a tendency pin down make Mifune sound mythical. Righteousness leading man of Kurosawa-gumi, honesty Emperor's coterie, he would steps forward his superstar status in mirror image 150 films in his period, acting for other famed executive administratio — Hiroshi Inagaki, Kajiro Admiral, Kihachi Okamoto — in roles ranging from a caped follower to a Mexican bandit.
Mifune's life on-screen centers solely overwhelm men. Women, when they at the appointed time appear, feel arbitrary, mythical, temporary: it's clear that no given is really invested in loftiness thrums of heterosexual desire... Toshiro Mifune cemented his reputation chimpanzee an icon of masculinity bright alongside Hollywood narratives of unsexed Asian manhood.
In 1961, Mifune provoked worldwide longing by swanky around in Yojimbo, the amount to year that Mickey Rooney contrived the bucktoothed Mr. Yunioshi direct Breakfast at Tiffany's. Looks-wise, he's the opposite of his forebear, the silent film star Sessue Hayakawa — often christened rendering "first Hollywood sex symbol" — with his long, slim fingers and Yves Saint Laurent key.
But Mifune represents a wake up beyond Hayakawa's Japanese-man-on-screen, who, neglect his huge white female fanbase, was always limited to roles of the "Oriental" villain, probity menace, the impossible romantic lead: in 1957, Joe Franklin would tell Hayakawa in his disclose show, "There were two details we were sure of guarantee the silent movie era; decency Indians never got the clobber of it, and Sessue Hayakawa never got the girl."
Mifune never wants the boy in the first place.
Like this the men around him can't help but watch him span little open-mouthed, as he walks his slice of world, cheery by and nonchalant about high-mindedness stupor he leaves in government wake. "Who is he?," benefactor asks, and no one at any time has a good answer. Cheer up can't help but want extremity walk alongside him, to velocity it out.[50]
Filmography
Mifune appeared in bluntly 170 feature films.[51] In 2015, Steven Okazaki released Mifune: Position Last Samurai, a documentary recounting Mifune's life and career.[52][53] Payable to variations in translation free yourself of the Japanese and other low-down, there are multiple titles to hand many of Mifune's films (see IMDb link).
The titles shown here are the most customary ones used in the Combined States, with the original Asiatic title listed below it extort parentheses. Mifune's filmography mainly consists of Japanese productions, unless esteemed otherwise (see Notes column).
Films
| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 1947 | Snow Trail (銀嶺の果て) | Ejima (江島) | Senkichi Taniguchi (谷口 千吉) | |
| These Injudicious Times (新馬鹿時代 前篇) | Genzaburō Ōno (大野源三郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| These Foolish Times Part 2 (新馬鹿時代 後篇) | Genzaburō Ōno (大野源三郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1948 | Drunken Angel (醉いどれ天使) | Matsunaga (松永) | Akira Kurosawa (黒澤明) | |
| 1949 | The Quiet Duel (静かなる決闘) | Kyōji Fujisaki (藤崎恭二) | Akira Kurosawa (黒澤明) | |
| Jakoman and Tetsu (ジャコ萬と鉄) | Tetsu (鐵) | Senkichi Taniguchi (谷口 千吉) | ||
| Stray Dog (野良犬) | Detective Murakami (村上刑事) | Akira Kurosawa (黒澤明) | ||
| 1950 | Conduct Report subsidize Professor Ishinaka (石中先生行状記) | Teisaku Nagasawa (長沢貞作) | Mikio Naruse (成瀬 巳喜男) | |
| Scandal (醜聞) | Ichirō Aoe (青江一郎) | Akira Kurosawa (黒澤明) | ||
| Engagement Ring (婚約指環) | Takeshi Ema (江間猛) | Keisuke Kinoshita (木下 惠介) | ||
| Rashomon (羅生門) | Tajōmaru (多襄丸) | Akira Kurosawa (黒澤明) | ||
| Escape from Prison (脱獄) | Shinkichi (新吉) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1951 | Beyond Love and Hate (愛と憎しみの彼方へ) | Gorō Sakata (坂田五郎) | Senkichi Taniguchi (谷口 千吉) | |
| Elegy (悲歌) | Prosecutor Daisuke Toki (土岐大輔検事) | Kajirō Yamamoto (山本 嘉次郎) | ||
| The Idiot (白痴) | Denkichi Akama (赤間伝吉) | Akira Kurosawa (黒澤明) | ||
| Pirates (海賊船) | Tora (虎) | Hiroshi Inagaki (稲垣 浩) | ||
| Meeting of the Phantom Après-Guerre (戦後派お化け大会) | Kenji Kawakami (川上謙二) | Kiyoshi Saeki (佐伯清) | Special appearance | |
| Conclusion of Kojiro Sasaki: Duel at Ganryu Island (完結 佐々木小次郎 巌流島決闘) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | ||
| The Life of a Horsetrader (馬喰一代) | Yonetarō Katayama (片山米太郎) | Keigo Kimura | ||
| Who Knows a Woman's Heart (女ごころ誰が知る) | Mizuno (水野) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1952 | Vendetta storeroom a Samurai (荒木又右衛門 決闘鍵屋の辻) | Mataemon Araki (荒木又右衛門) | Kazuo Mori (森 一生) | |
| Foghorn (霧笛) | Chiyokichi (千代吉) | Senkichi Taniguchi (谷口 千吉) | ||
| The Life break into Oharu (西鶴一代女) | Katsunosuke (勝之介) | Kenji Mizoguchi (溝口 健二) | ||
| Golden Girl (金の卵) | Yasuki Chiba (千葉泰樹) | Supporting role | ||
| Sword for Hire (戦国無頼) | Hayatenosuke Sasa (佐々疾風之介) | Hiroshi Inagaki (稲垣 浩) | ||
| Tokyo Sweetheart (東京の恋人) | Kurokawa (黒川) | Yasuki Chiba (千葉泰樹) | ||
| Swift Current (激流) | Shunsuke Kosugi (小杉俊介) | Senkichi Taniguchi (谷口 千吉) | ||
| The Man Who Came to Port (港へ来た男) | Gorō Niinuma (新沼五郎) | Ishirō Honda (本多 猪四郎) | ||
| 1953 | My Wonderful Yellow Car (吹けよ春風) | Matsumura (松村) | Senkichi Taniguchi (谷口 千吉) | |
| The Last Embrace (抱擁) | Shinkichi/Hayakawa (伸吉 Narrate 早川) | Masahiro Makino (マキノ 雅弘) | ||
| Sunflower Girl (ひまわり娘) | Ippei Hitachi (日立一平) | Yasuki Chiba (千葉泰樹) | Originally released overseas as Love in a Teacup[54] | |
| Eagle of excellence Pacific (太平洋の鷲) | 1st Lieutenant Jōichi Tomonaga (友永丈市大尉) | Ishirō Honda (本多 猪四郎) | ||
| 1954 | Seven Samurai (七人の侍) | Kikuchiyo (菊千代) | Akira Kurosawa (黒澤明) | |
| The Timbre of Waves (潮騒) | Skipper of the Utashima-maru (歌島丸の船長) | Senkichi Taniguchi (谷口 千吉) | ||
| Samurai I : Musashi Miyamoto (宮本武蔵) | Musashi Miyamoto (Takezō Shinmen) (宮本武蔵 (新免武蔵)) | Hiroshi Inagaki (稲垣 浩) | ||
| The Black Fury (密輸船) | Eiichi Tsuda (津田栄一) | Toshio Sugie (杉江敏男) | ||
| 1955 | The Merciless Boss: A Fellow Among Men (顔役無用 男性No．1) | "Buick" Maki (ビュイックの牧) | Kajirō Yamamoto (山本 嘉次郎) | |
| All Is Well (天下泰平) | Daikichi Risshun (立春大吉) | Toshio Sugie (杉江敏男) | ||
| All Is Well Part 2 (続天下泰平) | Daikichi Risshun (立春大吉) | Toshio Sugie (杉江敏男) | ||
| No Time for Tears (男ありて) | Mitsuo Yano (矢野光男) | Seiji Maruyama (丸山誠治) | ||
| Samurai II: Duel at Ichijoji Temple (続宮本武蔵 一乗寺の決斗) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | ||
| I Live in Fear (生きものの記録) | Kiichi Nakajima (中島喜一) | Akira Kurosawa (黒澤明) | ||
| 1956 | Samurai III: Duel at Ganryu Island (宮本武蔵 完結篇 決闘巌流島) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | |
| Rainy Night Duel (黒帯三国志) | Masahiko Koseki (小関昌彦) | Senkichi Taniguchi (谷口 千吉) | ||
| The Underworld (暗黒街) | Chief Inspector Kumada (熊田捜査主任) | Kajirō Yamamoto (山本 嘉次郎) | ||
| Settlement of Love (愛情の決算) | Shuntarō Ōhira (大平俊太郎) | Shin Saburi (佐分利 信) | ||
| A Wife's Heart (妻の心) | Kenkichi Takemura (竹村健吉) | Mikio Naruse (成瀬 巳喜男) | ||
| Scoundrel (ならず者) | Kanji (寛次) | Nobuo Aoyagi (青柳信雄) | ||
| Rebels on honesty High Seas (囚人船) | Tokuzō Matsuo (松尾徳造) | Hiroshi Inagaki (稲垣 浩) | ||
| 1957 | Throne of Blood (蜘蛛巣城) | Taketoki Washizu (鷲津武時) | Akira Kurosawa (黒澤明) | |
| A Man in the Storm (嵐の中の男) | Saburō Watari (渡三郎) | Senkichi Taniguchi (谷口 千吉) | ||
| Be Happy, These Lovers (この二人に幸あれ) | Toshio Maruyama (丸山俊夫) | Ishirō Honda (本多 猪四郎) | ||
| Yagyu Hidden Scrolls Part 1 (柳生武芸帳) | Tasaburō Kasumi (霞の多三郎) | Hiroshi Inagaki (稲垣 浩) | ||
| A Dangerous Hero (危険な英雄) | Athlete Kawada (川田選手) | Hideo Suzuki | ||
| The Lower Depths (どん底) | Sutekichi (the thief) (捨吉 (泥棒)) | Akira Kurosawa (黒澤明) | ||
| Downtown (下町) | Yoshio Tsuruishi (鶴石芳雄) | Yasuki Chiba (千葉泰樹) | ||
| 1958 | Yagyu Private Scrolls Part 2 (柳生武芸帳 双龍秘剣) | Tasaburō Ōtsuki (大月多三郎) | Hiroshi Inagaki (稲垣 浩) | |
| Holiday in Tokyo (東京の休日) | Tenkai's nephew Jirō (天海の甥·二郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| Muhomatsu, The Rikshaw Man (無法松の一生) | Matsugorō Tomishima (富島松五郎) | Hiroshi Inagaki (稲垣 浩) | ||
| Yaji spell Kita on the Road (弥次喜多道中記) | Toshinoshin Taya (田谷敏之進) | Yasuki Chiba (千葉泰樹) | ||
| All About Marriage (結婚のすべて) | Acting teacher (演出家) | Kihachi Okamoto (岡本 喜八) | Cameo | |
| Theater of Life (人生劇場 青春篇) | Hishakaku (飛車角) | Toshio Sugie (杉江敏男) | ||
| The Hidden Fortress (隠し砦の三悪人) | General Rokurota Makabe (真壁六郎太) | Akira Kurosawa (黒澤明) | ||
| 1959 | Boss of loftiness Underworld (暗黒街の顔役) | Daisuke Kashimura (樫村大助) | Kihachi Okamoto (岡本 喜八) | |
| Samurai Saga (或る剣豪の生涯) | Heihachirō Komaki (駒木兵八郎) | Hiroshi Inagaki (稲垣 浩) | ||
| The Saga cue the Vagabonds (戦国群盗伝) | Rokurō Kai (甲斐六郎) | Toshio Sugie (杉江敏男) | ||
| Desperado Outpost (独立愚連隊) | Battalion Commander Kodama (児玉大尉) | Kihachi Okamoto (岡本 喜八) | ||
| The Iii Treasures (日本誕生) | Prince Takeru Yamato/Prince Susano'o (日本武尊/須佐之男命) | Hiroshi Inagaki (稲垣 浩) | ||
| 1960 | The Last Gunfight (暗黒街の対決) | Detective Saburō Fujioka (藤丘三郎刑事) | Kihachi Okamoto (岡本 喜八) | |
| The Gambling Samurai (国定忠治) | Chūji Kunisada (国定忠治) | Senkichi Taniguchi (谷口 千吉) | ||
| Storm Over glory Pacific (ハワイ·ミッドウェイ大海空戦 太平洋の嵐) | Tamon Yamaguchi (山口多聞) | Shūe Matsubayashi (松林 宗恵) | ||
| Man Against Man (男対男) | Kaji (梶) | Senkichi Taniguchi (谷口 千吉) | ||
| The Worthless Sleep Well (悪い奴ほどよく眠る) | Kōichi Nishi (西幸一) | Akira Kurosawa (黒澤明) | ||
| Salaryman Chushingura Part 1 (サラリーマン忠臣蔵) | Kazuo Momoi (桃井和雄) | Toshio Sugie (杉江敏男) | ||
| 1961 | The Story of Osaka Castle (大坂城物語) | Mohei[55] (茂兵衛) | Hiroshi Inagaki (稲垣 浩) | |
| Salaryman Chushingura Part 2 (続サラリーマン忠臣蔵) | Kazuo Momoi (桃井和雄) | Toshio Sugie (杉江敏男) | ||
| Yojimbo (用心棒) | Sanjūrō Kuwabata (桑畑三十郎) | Akira Kurosawa (黒澤明) | ||
| The Youth brook his Amulet (ゲンと不動明王) | Fudō Myō-ō (不動明王) | Hiroshi Inagaki (稲垣 浩) | ||
| Ánimas Trujano | Ánimas Trujano | Ismael Rodríguez | Mexican production | |
| 1962 | Sanjuro (椿三十郎) | Sanjūrō Tsubaki (椿三十郎) | Akira Kurosawa (黒澤明) | |
| Tatsu (どぶろくの辰) | Tatsu (辰) | Hiroshi Inagaki (稲垣 浩) | ||
| Three Gentlemen Return from Hong Kong (続·社長洋行記) | Cho Chishō (Zhang Zhizhang) (張知章 (カメオ出演)) | Toshio Sugie (杉江敏男) | Cameo | |
| Chushingura: Story of Flower, Anecdote of Snow (忠臣蔵 花の巻·雪の巻) | Genba Tawaraboshi (俵星玄蕃) | Hiroshi Inagaki (稲垣 浩) | ||
| 1963 | Attack Squadron! (太平洋の翼) | Lt.
Colonel Senda | Shūe Matsubayashi (松林 宗恵) | |
| High and Low (天国と地獄) | Kingo Gondō (権藤金吾) | Akira Kurosawa (黒澤明) | ||
| Legacy of the 500,000 (五十万人の遺産) | Takeichi Matsuo (松尾武市 兼 製作 兼 監督) | Toshiro Mifune (三船 敏郎) | Also director and producer | |
| The Lost World of Sinbad (大盗賊) | Sukezaemon Naya (Sukezaemon Luzon) (菜屋助左衛門 (呂宋助左衛門)) | Senkichi Taniguchi (谷口 千吉) | ||
| 1964 | Whirlwind (士魂魔道 大龍巻) | Morishige Akashi (明石守重) | Hiroshi Inagaki (稲垣 浩) | |
| 1965 | Samurai Assassin (侍) | Tsuruchiyo Niiro (新納鶴千代) | Kihachi Okamoto (岡本 喜八) | |
| Red Beard (赤ひげ) | Dr.
Kyojō Niide (Red Beard) | Akira Kurosawa (黒澤明) | ||
| Sanshiro Sugata (姿三四郎) | Shōgorō Yano (矢野正五郎) | Seiichirô Uchikawa (内川清一郎) | ||
| The Holiday from Kiska (太平洋奇跡の作戦 キスカ) | Major General Omura (大村少将) | Seiji Maruyama (丸山誠治) | ||
| Fort Graveyard (血と砂) | Sergeant Kosugi (小杉曹長) | Kihachi Okamoto (岡本 喜八) | also producer | |
| 1966 | Rise Against nobleness Sword (暴れ豪右衛門) | Shinobu no Gōemon (信夫の豪右衛門) | Hiroshi Inagaki (稲垣 浩) | |
| The Sword of Doom (大菩薩峠) | Toranosuke Shimada[56] (島田虎之助) | Kihachi Okamoto (岡本 喜八) | ||
| The Adventure of Kigan Castle (奇巌城の冒険) | Ōsumi (大角) | Senkichi Taniguchi (谷口 千吉) | also producer | |
| The Like one possessed Atlantic (怒涛一万浬) | Heihachirō Murakami (村上平八郎) | Jun Fukuda (福田 純) | also clerical producer | |
| Grand Prix | Izō Yamura (矢村以蔵) | John Frankenheimer | U.S.
production | |
| 1967 | Samurai Rebellion (上意討ち 拝領妻始末) | Isaburō Sasahara (笹原伊三郎) | Masaki Kobayashi (岡本 喜八) | also producer |
| Japan's Longest Day (日本のいちばん長い日) | Korechika Anami (阿南惟幾) | Kihachi Okamoto (岡本 喜八) | ||
| 1968 | The Sands of Kurobe (黒部の太陽) | Satoshi Kitagawa (北川覚) | Kei Kumai (熊井 啓) | |
| Admiral Yamamoto (連合艦隊司令長官 山本五十六) | Isoroku Yamamoto (山本五十六) | Seiji Maruyama (丸山誠治) | ||
| The Day the Sun Rose (祇園祭) | Kumaza (熊左) | Daisuke Itō (伊藤 大輔) and Tetsuya Yamanouchi (山内鉄也) | ||
| Hell in the Pacific | Captain Tsuruhiko Kuroda (黒田鶴彦大尉) | John Boorman | U.S.
production | |
| 1969 | Samurai Banners (風林火山) | Kansuke Yamamoto (山本勘助) | Hiroshi Inagaki (稲垣 浩) | also creator |
| Safari 5000 (栄光への5000キロ) | Yūichirō Takase (高瀬雄一郎) | Koreyoshi Kurahara (蔵原惟繕) | ||
| The Campaigning of the Japan Sea (日本海大海戦) | Heihachirō Tōgō (東郷平八郎) | Seiji Maruyama (丸山誠治) | ||
| Red Lion (赤毛) | Akage no Gonzō (赤毛の権三 兼 製作) | Kihachi Okamoto (岡本 喜八) | also Producer | |
| Shinsengumi (新選組) | Isami Kondō (近藤勇 兼 製作) | Tadashi Sawashima (沢島 忠) | also Producer | |
| 1970 | Zatoichi Meets Yojimbo (座頭市と用心棒) | Daisaku Sasa (佐々大作) | Kihachi Okamoto (岡本 喜八) | |
| Bakumatsu (幕末) | Shōjirō Gotō (後藤象二郎) | Daisuke Itō (伊藤 大輔) | ||
| Incident at Blood Pass (待ち伏せ) | Tōzaburō Shinogi (鎬刀三郎 兼 製作) | Hiroshi Inagaki (稲垣 浩) | also Producer | |
| The Walking Major (ある兵士の賭け) | Tadao Kinugasa (衣笠忠夫) | Keith Larsen | ||
| The Militarists (激動の昭和史 軍閥) | Isoroku Yamamoto (山本五十六) | Hiromichi Horikawa (堀川 弘通) | ||
| 1971 | Red Sun | Jūbei Kuroda (黒田重兵衛) | Terence Young | French.
Italian, and Land co-production |
| Morning for Two 二人だけの朝 | none | Takeshi Matsumori | producer only | |
| 1975 | Paper Tiger | Ambassador Kagoyama (カゴヤマ大使) | Ken Annakin | U.K. production |
| The New Spartans | WW2 vet | Jack Starrett | U.K., West German co-production; Incomplete | |
| 1976 | Midway | Isoroku Yamamoto (山本五十六) | Jack Smight | U.S.
run |
| 1977 | Proof of the Man (人間の証明) | Yōhei Kōri (郡陽平) | Junya Satō (佐藤 純彌) | Special appearance |
| Japanese Godfather: Ambition (日本の首領 野望篇) | Kōsuke Ōishi (大石剛介) | Sadao Nakajima (中島貞夫) | ||
| 1978 | Shogun's Samurai (柳生一族の陰謀) | Yoshinao Tokugawa (徳川義直) | Kinji Fukasaku (深作 欣二) | |
| Shag (犬笛) | Captain Takeo Murata (村田武雄船長) | Sadao Nakajima (中島貞夫) | also executive fabricator | |
| Ogin-sama (お吟さま) | Hideyoshi Toyotomi (豊臣秀吉) | Kei Kumai (熊井 啓) | ||
| The Pack up of Ako Castle (赤穂城断絶) | Chikara Tsuchiya (土屋主税) | Kinji Fukasaku (深作 欣二) | ||
| Japanese Godfather: Conclusion (日本の首領 完結篇) | Kōsuke Ōishi (大石剛介) | Sadao Nakajima (中島貞夫) | ||
| Lord Incognito (水戸黄門) | Sakuzaemon Okumura (奥村作左衛門) | Tetsuya Yamanouchi (山内鉄也) | ||
| 1979 | Winter Kills | Keith (secretary) (キース (秘書)) | William Richert | U.S.
production |
| The Adventures of Kosuke Kindaichi (金田一耕助の冒険) | Kōsuke Kindaichi XI (11代目金田一耕助) | Nobuhiko Obayashi (大林 宣彦) | ||
| Onmitsu Doshin: The Edo Secret Police (隠密同心·大江戸捜査網) | Sadanobu Matsudaira (松平定信) | Akinori Matsuo (松尾昭典) | also producer | |
| 1941 | Commander Akiro Mitamura (アキロー·ミタムラ中佐) | Steven Spielberg | U.S.
production | |
| 1980 | The Battle of Port Arthur (二百三高地) | Emperor Meiji (明治天皇) | Toshio Masuda (舛田 利雄) | |
| Shogun (将軍 SHOGUN) | Toranaga Yoshii[broken anchor] (吉井虎長) | Jerry London | U.S., Japanese co-production; Film abridgement of the miniseries | |
| 1981 | Inchon! | Saitō-san (斉藤さん) | Terence Young | U.S.
production |
| The Bushido Blade | Commander Fukusai Hayashi (江戸幕府の特命全権大使·林復斎) | Tsugunobu Kotani (小谷承靖) | U.S., U.K., Asiatic co-production | |
| 1982 | The Challenge | Toru Yoshida (吉田徹) | John Frankenheimer | U.S. production |
| Conquest (制覇) | Masao Tadokoro (田所政雄) | Sadao Nakajima (中島貞夫) | ||
| 1983 | Battle Anthem (日本海大海戦 海ゆかば) | Heihachirō Tōgō (東郷平八郎) | Toshio Masuda (舛田 利雄) | |
| Theater of Life (人生劇場) | Hyōtarō Aonari (青成瓢太郎) | Junya Satō (佐藤 純彌) Sadao Nakajima (中島貞夫) and Kinji Fukasaku (深作 欣二) | Special appearance | |
| 1984 | The Miracle of Joe Petrel (海燕ジョーの奇跡) | Fisherman (漁師) | Toshiya Fujita (藤田 敏八) | |
| 1985 | Legend of rectitude Holy Woman (聖女伝説) | Kōzō Kanzaki (神崎弘造) | Tōru Murakawa (村川透) | Special affect |
| 1986 | Song of the Genkai Sea (玄海つれづれ節) | Kyūbei Matsufuji (松藤九兵衛) | Masanobu Deme (出目昌伸) | |
| 1987 | Shatterer | Murai (村井) | Tonino Valerii | Italian, Nipponese co-production |
| Tora-san Goes North (男はつらいよ 知床慕情) | Junkichi Ueno (上野順吉) | Yoji Yamada (山田 洋次) | ||
| Princess from ethics Moon (竹取物語) | Taketori-no-Miyatsuko (竹取の造) | Kon Ichikawa (市川 崑) | ||
| 1989 | Death present a Tea Master (千利休 本覺坊遺文) | Sen cack-handed Rikyū (千利休) | Kei Kumai (熊井 啓) | |
| The Demon Appears in Spring (春来る鬼) | Kukkune no jî (くっくねの爺) | Akira Kobayashi (小林 旭) | ||
| CF Girl (CFガール) | Shūichirō Hase (長谷周一郎) | Izo Hashimoto (橋本 以蔵) | ||
| 1991 | Strawberry Road (ストロベリーロード) | Taoka (田岡) | Koreyoshi Kurahara (蔵原惟繕) | |
| Journey of Honor (兜 KABUTO) | Ieyasu Tokugawa (徳川家康) | Gordon Hessler | U.S., U.K., Asian co-production | |
| 1992 | Shadow of the Wolf (AGAGUK) | Kroomak | Jacques Dorfmann and Pierre Magny | Canadian, Sculpturer co-production |
| 1994 | Picture Bride | Kayo Hatta | The Benshi (弁士) | U.S.
production |
| 1995 | Deep River (深い河) | Tsukada (塚田) | Kei Kumai (熊井 啓) | Final film role |
The 1999 Scandinavian film Mifune is named care for the actor.
Television
All programs pioneer aired in Japan except let slip Shōgun which aired in glory U.S.
on NBC in Sep 1980 before being subsequently form in Japan on TV Asahi from March 30 to Apr 6, 1981.
| Date(s) | Title | Role | Notes |
|---|---|---|---|
| 1967.05.11 | He of the Sun (太陽のあいつ) | Himself | 1 episode |
| 1968–1969 | Five Freelance Samurai (五人の野武士) | Jirō Yoshikage Funayama (五人の野武士) | 6 episodes [Ep. 1,2,14,15,17,26] |
| 1971 | Daichūshingura (大忠臣蔵) | Kuranosuke Ōishi (大石内蔵助) | All 52 episodes |
| 1972–1974 | Ronin lecture the Wilderness (荒野の素浪人) | Kujūrō Tōge (峠九十郎) | All 104 episodes, over link seasons; also producer |
| 1973 | Yojimbo clamour the Wilderness (荒野の用心棒) | Kujūrō Tōge (峠九十郎) | 5 episodes |
| 1975 | The Sword, righteousness Wind, and the Lullaby (剣と風と子守唄) | Jūzaburō Toride (砦十三郎) | All 27 episodes |
| 1976 | The Secret Inspectors (隠し目付参上) | Naizen-no-shō Tsukumo/Izu-no-kami Nobuakira Matsudaira (dual roles) (九十九内膳正 / 松平伊豆守信明(二役) | 10 episodes [Ep. 1,2,3,4,7,10,11,18,22,26] |
| 1976 | Ronin in a Lawless Town (人魚亭異聞 無法街の素浪人) | Mister Danna (ミスターの旦那) | All 23 episodes |
| 1977.07.16 | Ōedo Sōsamō (大江戸捜査網) | Yūgen Ōtaki (大滝幽玄) | 1 episode |
| 1978 | Falcons comprehensive Edo (江戸の鷹 御用部屋犯科帖) | Kanbei Uchiyama (内山勘兵衛) | All 38 episodes |
| 1979.04.02 | Edo lowdown Kiru IV (江戸を斬るIV) | Shūsaku Chiba (千葉周作) | 1 episode special appearance [Ep. 8] |
| 1979 | Prosecutor Saburo Kirishima (検事霧島三郎) | Chief Prosecutor Mori (森検事正) | |
| 1979 | Akō Rōshi (赤穂浪士) | Sakon Tachibana (立花左近) | 1 episode |
| 1979–1980 | Fangs invoke Edo (江戸の牙) | Gunbei Asahina (朝比奈軍兵衛) | 3 episodes [Ep. 1, 17, 26] |
| 1979 | Hideout in Room 7 (駆け込みビル7号室) | Gōsuke Saegusa (三枝剛介) | |
| 1980 | Shōgun | Toranaga Yoshii[broken anchor] | All 5 parts |
| 1980.12.27 | It's 8 O'Clock! One and all Gather 'Round (8時だョ!全員集合) | Himself | 1 episode[a] |
| 1981 | Sekigahara (関ヶ原) | Sakon Shima (島左近) | All 3 faculties |
| 1981–1982 | Ten Duels of Young Shingo (新吾十番勝負) | Tamon Umei (梅井多聞) | Two be taken in by three parts[b] [Parts 1,2] |
| 1981.07.09 | My Daughter!
Dart on the Wings of Passion and Tears | TV ep | |
| 1981.09.29 | Tuesday Suspense Theater: The Ballshaped Wilderness (火曜サスペンス劇場球形の荒野) | Kenichirō Nogami (野上顕一郎) | TV film |
| 1981–1982 | Bungo Detective Story (文吾捕物帳) | Shūsaku Chiba (千葉周作) | 5 episodes [Ep. 5,10,13,18,26] |
| 1981–1983 | The Lowly Ronin (素浪人罷り通る) | Lowly Ronin Shūtō Shunka (素浪人 春夏秋冬) | TV film series, all 6 endowments |
| 1982.09.19 | The Happy Yellow Handkerchief (幸福の黄色いハンカチ) | Kenzō Shima (島謙造) | 1 episode [Ep. 4] |
| 1983 | The Brave Man Says Little (勇者は語らず いま、日米自動車戦争は) | Ryūzō Kawana (川奈龍三) | All 4 episodes |
| 1983.11.03 | The Women pay the bill Osaka Castle (女たちの大坂城) | Tokugawa Ieyasu (徳川家康) | TV tegument casing |
| 1983.11.10 | The Secret of Cruel Valley (魔境 殺生谷の秘密) | Lowly Rōnin | TV film |
| 1984 | The Burning Mountain River (山河燃ゆ) | Otoshichi Amō (天羽乙七) | |
| 1984.04.02 | Okita Soji: Swordsman thoroughgoing Fire (燃えて、散る 炎の剣士 沖田総司) | Shūsai Kondō (近藤周斎) | TV film |
| 1984.08.26 | Toshiba Consumable Theater #1442: Summer Encounter (東芝日曜劇場 第1442回 夏の出逢い) | Takeya Ōnuki (大貫剛也) | TV film |
| 1987.09.10 | Masterpiece Jidaigeki: National Advisor Breakthrough! Hikozaemon Geki | Hikozaemon Ōkubo (大久保彦左衛門) | 1 episode [Ep. 21] |
| 1990.04.20 | Heaven turf Earth: Dawn Episode (天と地と～黎明編) | Nagao Tamekage (長尾為景) | TV film |
Awards and nominations
Mifune won and was nominated means many awards during his faking career, including six Blue Strip Awards, three Mainichi Film Laurels, three Japan Academy Film Award nominations (winning two), and combine Kinema Junpo Awards.
Notes
- ^Mifune's image on It's 8 O'Clock! Everyone Gather 'Round was to endorse the upcoming New Year's announce of Sekigahara. Mifune appeared shout stage in a comedic samurai sketch wearing his Sakon Shima armor from the mini-series. Disintegration addition, Mifune sang with blue blood the gentry "Little Singers of Tokyo" attach importance to another segment
- ^Ten Duels of Growing Shingo Part 3, which upfront not feature Mifune but which concludes the story, aired fastened July 30, 1982