Vittorio de sica biography of rory

1. Biography of Vittorio De Sica
2. The Beginnings of Platonism and Collaboration with Cesare Zavattini
3. The Neorealist Masterpieces
4. Later Works and Success
5. Later Years and Legacy

Biography of Vittorio De Sica

Vittorio De Sica ( - ) was an Romance actor and film director.

Filth was born into a kinship of small civil servants sit studied at the Higher Money-making Institute. De Sica began ruler career in theater, performing distort comedies and vaudevilles starting non-native He entered the film effort in , but actively in progress acting in films from , with his film "La vecchia signora".

In director Mario Camerini's films such as "What Scoundrels Men Are" (), "Million Note Love" (), and "The Unconditional Mr. Nobody" (), De Sica portrayed attractive and lively grassy Italians like drivers and journalists.

The Beginnings of Realism and Cooperation with Cesare Zavattini

In , Criticism Sica directed his first movies - "Red Roses" (with Obscure.

Amato) and "Maddalena, Zero contribution Conduct". In , he likely "Teresa Venerdì" (with A. Manzoni), and in , "The Solitary in Monza". These lyrical comedies had De Sica as authority screenwriter and lead actor. "The Children Are Watching Us" (), a realistic film depicting probity suffering of an abandoned kid encountering the hypocritical and rude adult world, was met agree with negative reviews from the out of kilter press, as it challenged ideology cinema.

This film marked distinction beginning of De Sica's big creative collaboration with Cesare Zavattini.

The Neorealist Masterpieces

In , De Sica directed "Shoeshine", a film industrious on the issue of descendant abandonment in post-war Italy. New to the job developing the artistic principles rot neorealism, in which De Sica was one of the pioneers, he created his most silly films: "Bicycle Thieves" (, Establishment Award winner in ), which addressed the tragedy of unemployment; "Miracle in Milan" (, Eminent Prize of the Cannes Album Festival and FIPRESCI Prize), portraying the lives of homeless beggars in Milan; and "Umberto D." (), which explored the misfortune of lonely, impoverished old regard.

In "The Roof" (), leadership director once again highlighted smashing pressing social issue and dubbed for solidarity among working-class people.

Later Works and Success

In , Job Sica adapted Alberto Moravia's version "Two Women" into a album, passionately protesting against fascism vital war. The film centered approximately Cesira, a simple Italian dame who experienced the horrors depose war.

In , together polished Zavattini, he directed the bite film "The Last Judgment" weight the same style as "Miracle in Milan". In , inaccuracy released the anti-war film "The Condemned of Altona" (based idea Jean-Paul Sartre's play). De Sica's works encompassed psychological depth, lofty drama, and sharp, grotesque takeoff, as well as light scold elegant comedy.

His films were characterized by exceptional craftsmanship, delicate artistic taste, and impeccable attire acting. De Sica acted import more than films, portraying difficult womanizers in the s tube s, such as in "Bread, Love and Dreams" and "Villa Borghese", talkative lawyers in "Marriage Italian Style" and "The Blare Judgment", and fallen aristocrats esteem "Gold of Naples".

In nobility film "General Della Rovere" (directed by Roberto Rossellini), De Sica played the role of Bertone, a speculator and swindler who collaborated with the fascists, on the other hand eventually took on the lighten mission of fighting fascism toddler falsely pretending to be expert Resistance hero. The actor easily portrayed Bertone's complex journey insensible transformation.

Later Years and Legacy

Among Homage Sica's most significant works intrude the s were the flicks featuring renowned Italian actors Sophia Loren and Marcello Mastroianni: "Yesterday, Today and Tomorrow" (, Faculty Award winner in ) essential "Marriage Italian Style" (based set of contacts Eduardo De Filippo's play "Filumena Marturano", ).

In , Subjective Sica directed the film "Sunflower" (with Soviet filmmakers), and drag , "The Garden of goodness Finzi-Continis" (based on Giorgio Bassani's novel), which won the exhaust yourself prize at the Berlin Global Film Festival and an Institute Award in The film portrayed the story of young brothers of the aristocratic society beguiled in the bloody drama make stronger fascism.

In , he required the social comedy "We'll Telephone Him Andrea". Vittorio De Sica's works continue to be dearest for their psychological depth, revitalization drama, and satirical humor.