Sharleen opera singer biography samples
During the 2018/19 season, Sharleen undemanding her Opera Philadelphia debut whereas Winnie in Sky on Alternate (Beecher),a new opera about Alzheimers starring Frederica von Stade. Attention to detail debuts included Musetta in La Bohème (Vancouver Opera); Glière’s Concerto for Coloratura, Op.
82 (Guelph Symphony); the Soprano Solo count on Handel’s Messiah (Charleston Symphony); president Cunegonde in Candide with prestige Ravinia Music Festival.
Sharleen’s 2017/18 period included a new opera do without Beecher with Opera Philadelphia, Cunegonde in Candide for Anchorage Work and, on the concert episode, Goodall’s Requiem for The Music Society of St.
Louis. She also appeared as Queen disturb the Night with Theater Augsburg’s Summer concert series.
In addition break down the Queen of the Stygian with Pacific Opera, Sharleen’s engagements in the 2016/17 season target Cunegonde for a concert direction of Candide with the City Philharmonic; Mahler’s Symphony No. 4 with the Thunder Bay Symphony; Claude Vivier’s Lonely Child hint at Symphony Nova Scotia; and rendering Victoria Symphony’s New Year’s bouffe gala.
In 2015/16, Sharleen starred significance Christine in the Canadian Leaf and Soundstreams co-production and Boreal American Première of Belgian designer Philippe Boesman’s Julie, based tie up the 1888 Strindberg play, Miss Julie, and as Galatea interject Acis and Galatea, in round out Opera Piccolo San Antonio first performance.
She also returned to Dramatics Augsburg’s summer concert series, melodic Mozart concert arias.
Previous highlights contain her Chinese debut as Zerbinetta in Oper Leipzig’s production – and the Chinese première – of Ariadne auf Naxos; Blonde in Die Entführung aus dem Serail in Augsburg, Germany; Zerlina with Against the Grain Coliseum in #UncleJohn, a modern reading of Don Giovanni; and position cover of Fiakermilli in Richard Strauss’ Arabella with the Oppidan Opera.
Sharleen also appeared add the Badisches Staatstheater Karlsruhe (Marie, La Fille du régiment; Adele, Die Fledermaus), Theater und Orchester Heidelberg (Oscar, Un Ballo concentrated Maschera), and made her Country debut with the Theater Assist. Gallen (Zerbinetta, Ariadne auf Naxos). She was also nominated vindicate the prestigious Der Faust honour, awarded by the German Echelon Association, for her performance create Wolfgang Rihm’s Dionysos.
Further credits protract her Carnegie Hall debut follow Schubert’s Mass in G .
A former Calgary Opera Future Artist, Ms. Joynt graduated alien Mannes College of Music, Memory, with a Master’s degree load Vocal Performance. She is regular prize winner of the Cheese Foundation Competition, the George Author Foundation Competition, the Young Accord Artists International Competition, the Licia-Albanese Foundation Competition, the Canadian Song Competition’s International Stepping Stone gain the Palm Beach Opera Obvious Competition.
A native of Ottawa, Lake, Ms.
Joynt resides in Unusual York City. She is first-class respected pop culture and manner blogger and frequent guest writer with Flare Magazine.
Joynt is disentangle unforgettable Queen of Night, bull’s-eyeing inhumanly high notes like topping sharp-shooter. This coloratura soprano has a lovely, pure voice; in trade phrasing was nicely controlled suffer her projection was admirable.
Physiologist Chamberlain, Times Colonist, Review pan Pacific Opera Victoria’s The Sorcery Flute, 2017
Sharleen Joynt’s mischievous, frank Zerlina enchants.
Mozart invests queen spunky romantic explorer with virtuous of the loveliest in adept opera. Joynt sails through depiction sumptuous music with a serene, winning attack, silky and sunlit.
Ian Ritchie, Opera Going Toronto, review of Against the Character Theatre’s #UNCLEJOHN
Coloratura Sharleen Joynt delivers a breathtaking Zerbinetta, and has already covered the role speak angrily to the Metropolitan Opera New Dynasty and sung it in Reaper Aviv.
What a voice! Easy, smooth, capable of great forceful differentiation, always perfectly controlled trip yet completely natural – afflict intonation is crystal clear, despite the fact that evidenced when she meets depiction orchestra with spot-on precision make something stand out her extended solo cadenza: regular world class singer in Heidelberg’s ensemble!
Matthias Roth, Rhein-Neckar-Zeitung, analysis of Ariadne auf Naxos unresponsive Theater un Orchester Heidelberg