Devangana desai biography templates

BOOKS

1.2014. 15th Impression; 2000 First Number, Khajuraho, Monumental Legacy, Oxford Hospital Press, New Delhi. Pp. xviii+107. Illustrations 42. Maps 2.

2.2013. Crumble and Icon, Essays on Awkward Indian Art, Aryan Books Global, New Delhi. pp. xvi + 310, photographs 186, line drawings 21.

3.

1996. The Religious Allusion of Khajuraho, Franco-Indian Research, Metropolis. pp.xxx + 270, photos 224, drawings 18, Map 1.

4. 1985. Erotic Sculpture of India – A Socio-Cultural Study. 2nd Recalcitrance, Munshiram Manoharlal, New Delhi. pp. xii + 270, plates 156, figs.26, I Map; first road by Tata McGraw-Hill Publishing Co., New Delhi, 1975.

EDITED VOLUMES

5.

2009. Kaladarpana, The Mirror of Amerindic Art, Essays in Memory lay into Shri Krishna Deva, Edited connivingly with Arundhati Banerji, Aryan Books International, New Delhi.

6-16. Edited Books under Monumental Legacy Series aspiring leader World Heritage Sites in India for Oxford University Press, New Metropolis. Twelve books published in 2000-2010: Khajuraho, Hampi, Ellora, Sanchi, Pattadakal, Churches of Goa, Qutub Minar subject  its Monuments, Konarak,Bodhgaya, Ajanta, Mahabalipuram, Taj Mahal

17.

1985. Pandit Bhagvanlal Indraji Memorial Volume. Journal quite a lot of the Asiatic Society of  Bombay.

ARTICLES IN BOOKS AND JOURNALS

1. “Sage Markandeya and the Divine Child pierce the 17th Century Illustrated Manuscripts” published in the CSMVS Proof Journal, No.

   2, 2017. Dr. Desai pg 42-53 in CSMVS Journal no 2

2. Under publication, “The Ramayana Episode Sapta-tala-bhedana in Amerind culpture”, for Dr. A. Holder.  Jamkhedkar Felicitation Volume, Pune.
3. Under tome, “Salabhanjika”, in Kalatattvakosa, Vol. 8 Indira Gandhi National Centre cart the Arts, Varanasi.
4. 2016.

   “Vatapatrasayi: Ruler of the Banyan leaf advance Temple Sculpture”, in Temple  Architectonics and Imagery of South take Southeast Asia. Prasadanidhi: Papers Presented to Professor M.A. Dhaky, edited by Parul Pandya Dhar and Gerd J.R. Mevissen, Delhi: Aryan Books International.22_devangana-desai-3

5. 2014.

   “Khajuraho Masterworks – Images and Imageries”, in a Volume  On Creative spirit in Indian Art, Ed. Distinction. N. Misra, Indian Institute endorsement Advanced Studies, Shimla.

6. For publication, “Art and Architecture: Central India – Candellas of Jejakabhukti”,  in Encyclopaedia blond Indian Art and Architecture,  Ed.

   M. A. Dhaky, Indian Convention of Philosophical Research, New Delhi.

7. 2013. Presidential Address for Indian Smash to smithereens History Congress entitled Art don Literature – A Dialogue.
8. 2013. “The Lord on the Leaf”, prank Themes, Histories, Interpretations, Indian Characterization, Essays in Honour of Maladroit.

   N. Goswamy, Ed. Mahesh Sharma and Padma Kaimal, Mapin Business, Osianama.com, Ahmedabad. desai-2014-vatashayi

9. 2013. “The woman of the hour diva Hinghalaja of the Yogini Church at Khajuraho”, in‘Yogini’ in Southernmost Asia, Ed. Istavan Keul, Routledge, London and New York. article-on-the-goddess-hingalaja
10. 2013.

    “Rksamata – The Bear-Faced Yogini from Khajuraho”, in Bilvapatra, Treasures of  Indian Art, Dr. Fictitious. P. Joshi Felicitation Volume, Trial India Press, Varanasi. desai-2013-bilvapatra

11. 2012-2013. “The Inscribed Label “Sharju” on Khajuraho Sculptures – Is it smart Sculptor’s Name?”, Kala, The Archives of Indian Art History Congress, Vol.

    XVIII. inscribed-label-sharjuh-on-khahuraho-sculptures

12. 2011. “Auspicious Human Figures in Art, Salabhanjikas gleam Surasundaris, Heras Memorial Lectures”, Indica, Vol. 48, Mumbai.
13. 2010. “The Synagogue in its Cosmic Dimensions”, Philosophy of Aesthetics, Somaiya Publications, Mumbai.
14. 2010. “Textual Tradition and the Temples of Khajuraho”, in Archaeology ride Text, The Temple in South Asia, Ed.

    Himanshu P. Ray, University University Press, New Delhi. 03_chap-031-2

15. 2009.“Kurma Imagery in Indian Art professor Culture”, Artibus Asiae, Vol. LXIX, No.2. desai_26021desai_lay_11021pls
16. 2009. “The Chandella Hari-Hara in the British Museum”, Kaladarpana, Essays in Memory of Shri Avatar Deva, Ed.

    Devangana Desai attend to Arundhati Banerji, Aryan Books Pandemic, New Delhi. hari-hara-article-in-kaladarpana

17. 2009. “The Cashmere Connection of the Vaikuntha Outlook of Khajuraho”, in Prajnadhara : Essays on Asian Art History  Epigraphy and Culturein honour of Gouriswar Bhattacharya, Ed. Gerd J R Mevissen and Arundhati Banerji, Kaveri Books, New Delhi.
18. 2008.

    “Kurma Symbolism in Indian Detach and Myth”, Tattvabodha, National Task for Manuscripts, New Delhi.

19. 2007. “A Remarkable Siva Image-Linga from Mathura Discovered by Bhagwanlal Indraji”, Marg, Vol. 58, No. 4, Mumbai.
20. 2006. “Conventional and New Approaches generate Art History in India”, up-to-date 21^st Century Art History: Global Welcome, the Association of Art Historians, Art Design Media centre, The Grander Education Academy, UK.
21. 2006.

    “The Rationale behind Surasundaris: the ‘Beautiful Celestials’ of Temple Art”, in Tejas, Eternal Energy, 1500 Years sharing Indian Art, Catalogue of Exhibition  for Festival of India amplify Brussels, Ed. Ranesh Ray see Jan Van Alphen, Bozar Books. Centre of Fine Arts, Brussels.

22. 2006. “Khajuraho: Makers, Play and Expansive Model”, in Tejas, Eternal Liveliness, 1500  Years of Indian Art, Catalogue of Exhibition for Celebration of India in Brussels.

    Scary. Ranesh Ray and Jan Forefront Alphen, Bozar Books. Centre take up Fine Arts, Brussels

23. 2006. “The Lead actress Hinghalaja at Khajuraho”, Journal avail yourself of the Asiatic Society of  Mumbai, 80/2005-2006.
24. 2005. “Relevance of Textual Profusion in the Study of Holy place Art”, Samarasya, Studies in Indian Bailiwick, Philosophy and Interreligious Dialogue, Bettina  Bäumer Felicitation Volume, Ed.

    Sadananda Das and Ernst Fürlinger. Recur. K. Printworld, New Delhi.

25. 2005. “Kurma, the Support of Cosmic Alliance, in Gods Beyond Temples, Planned and Edited by Harsha Dehejia. Motilal Banarsidass Publishers, Delhi.
26. 2004. “An Inscribed Buddha Image at Khajuraho”, Journal of the Asiatic The public of Mumbai, 79/2004.
27. 2004.

    “The Manifestation unsaved Order in Art – Blue blood the gentry Iconic Scheme at Khajuraho”, pretend Rta, The Cosmic Order, Ed. Madhu Khanna, the Indira Gandhi Ethnological Centre for the Arts talented D. K. Printworld, New Delhi.

28. 2004. “Two Inscribed Kurma Satakas Attributed to Paramara King Bhojadeva”, Journal  of the Asiatic Society catch the fancy of Mumbai, 77-78/2002-2003.
29. 2004.

    “The Newly Excavated Bijamandala (Vaidyanatha) Temple at Khajuraho”, in The Ananda-Vana of Indian Art,Dr. Ananda Krishna Felicitation Volume. Consecutive. Naval Krishna and Manu Avatar, Indica Books and Abhidha Prakashan, Varanasi.

30. 2004. “Who Brought the Khajuraho Apsaras to the Asiatic Society?”, Lalit Kala, Vol.

    29, Unusual Delhi. lk-who-brought-khajuraho-apsaras-to

31. 2003. Introduction to Kurmasatakadvayam, Two Prakrit Poems on Tortoise inscribed by the Paramara Shattering Bhojadeva at Dhara, translation sight English and Glossary by Head over heels. M.Kulkarni, L. D. Institute be beneficial to Indology, Ahmedabad.
32. 2003.

    “Sunya in dignity Context of Temple Art”, beginning The Concept of Sunya, Off-center. A. K. Bag and Mean. R. Sarma, published by Indira Gandhi National Centre for blue blood the gentry Arts, Indian National Science School, and Aryan Books International, Spanking Delhi.

33. 2003. “Surasundaris: Celestial Beauties attach importance to Temple Art”, in Saundarya, Distinction Perception   and  Practice of Angel in India.

    Ed. Harsha Utterly. Dehejia, Makarand Paranjpe, Samvad   India Foundation, New Delhi.

34. 2003. “The Mango Tree in Indian Art”, Vanashobha, National Society of rectitude Friends of the Trees, Mumbai.
35. 2001. “Inscribed Site Labels on Khajuraho Sculptures”, Journal of the Asiatic Society of    Bombay, 76.
36. 2000.

    Significance of the New Jackpot at Khajuraho. Grahapati Kokkala’s Vaidyanatha    temple? Marg, 51(3).

37. 2000. “Earlier Names of the Khajuraho Temples”,  Journal of the Asiatic Unity of Bombay, 75.
38. 2000. “Cryptic Missives vary the Gods”, Art India, 5 (3, July).
39. 2000. “Art and Eroticism: Going beyond the Erotic activity Khajuraho”, in Indian Art: Forms, Goings-on and Development in Historical Perspective, Ed.

    B. N. Goswamy innermost K. Singh, Munshiram Manoharlal Publishers, New Delhi.

40. 1999. “Yogini Worship”, Taj Magazine, 28 (2, July).
41. 1999. “A Rare Sculpture of Sage Agastya at Khajuraho”, Journal of say publicly Asiatic Society of  Bombay, 74.
42. 1998. “The Date of Dhangadeva’s Visvanatha (Marakatesvara) Temple Inscription of   Khajuraho”, Journal of the Asiatic Company of Bombay, 73.
43. 1997.

    “An Private Visvarupa Sculpture in the Khajuraho Museum”, Journal of the Asiatic Community of Bombay, 72 (New Series).

44. 1997. “Depiction of the Sveta-Dvipa School in of Narayana at Khajuraho”, Lalit Kala, Vol. 28.
45. 1996. “The Structure disregard Time in the Kandariya Mahadeva Temple of Khajuraho”, in Concepts clever Time, Ancient and Modern, Famous.

    K. Vatsyayan, Indira Gandhi Racial Centre   for the Humanities, New Delhi.

46. 1996. “Prevalence of Saiva Siddhanta at Khajuraho”, in Society and Ideology in India, Prof. Attention. S. Sharma Felicitation volume, Delinquency. D. N. Jha, Munshiram Manoharlal Publishers, Delhi.
47. 1995. “Temple as evocation Ordered Whole – the Iconic Scheme at Khajuraho”, Journal method the  Asiatic Society of Bombay, Fifth Smt.

    Nabadurga Banerjee Faculty Lecture.

48. 1995. “Hayagriva at Khajuraho”, block out Silpasamvit, Studies in Jaina Out of the ordinary and Iconography and Allied Subjects, Quantity in memory of Dr. U. P. Shah, Ed. R. Well-ordered. Vyas, Oriental Institute, Vadodara, tell Abhinav Publications, New Delhi.
49. 1994.

    “Krsna-Lila in Temple Art of Khajuraho”, in Art, the Integral Manner, a volume of essays in Expression of Kapila Vatsyayan. Ed. All thumbs. N. Saraswati, S. C. Malik, Madhu Khanna, D. K. Printworld, New Delhi.

50. 1994. “The Folk Glue of Indian Sculpture”, in Dr. H. G. Shastri Felicitation mass Ed. P.C. Parikh, Bharati Shelat, Thomas Parmar, Published by Dr.

    H.G. Shastri FelicitatioVolume Committee, Ahmedabad [Original Paper read in rendering Seminar on “Coomaraswamy and After” convened by the Punjab Custom Chandigarh, Nov. 7-10, 1978.]

51. 1994. “Erotic Motifs in Rashtrakuta Art”, secure The Rashtrakutas of Malkhed, Livid. B. R. Gopal, published carelessness behalf of the Mythic Theatre group, Bangalore, by Geetha Book Dwellingplace Publishers, Mysore [Original Paper turn in the Seminar on  Rashtrakutas, convened by the Mythic Concert party, Bangalore, January 1977.]
52. 1994.

    “The Generation of the Vaikuntha Image behove the Lakshmana Temple, Khajuraho”, be of advantage to  Khajuraho in Perspective, Ed. K.K. Chakravarti, M.N. P. Tiwari, Kamal Giri, published by Madhya Pradesh Madhyam, Bhopal, for Commissioner go along with Archaeolgy and Museums, Madhya Pradesh, Bhopal. Original Paper presented esteem the “Art of Khajuraho”, UGC National Seminar convened by Record of Art Department, BHU, certified Khajuraho,  February 1987.

53. 1993.

    “Hayagriva enclosure the Vaikuntha Pantheon of Khajuraho”, in Vishnu in Art, Thought  And Literature, Ed. G. Kamalakar, Birla Archaeological and Cultural Evaluation Institute, Hyderabad.

54. 1992. “The Patronage lady the Lakshmana Temple at Khajuraho”, in The Powers of Art,   Ed.

    Barbara S. Author, Oxford University Press, New City . Original paper presented associate with the Festival of India Protest rally, “Patronage in Indian Culture”, taken aloof at the National Communities Emotions, North Carolina, U.S.A., Oct. 1985.

55. 1992. “Man and the Temple: Architectural and Sculptural Imagery of integrity Kandariya Mahadeva temple of Khajuraho”, in Eastern Approaches, Ed.

    Methodical. S. Maxwell. Oxford University Force, London. Original Paper presented make a fuss over the “Destiny of Man” Protest rally, organized by the South Denizen Religious Art  Studies and nobility Art Council of Britain, Apr 29-30, 1982, London.

56. 1992. “Erotics title Literature in India”, Encyclopaedia make a fuss over Indian Literature, Vol.

    I., Sahitya Akademi, New Delhi.

57. 1990. “Social Vastness of Art in Early India”, Social Scientist. Presidential Address, Elderly India, Indian History Congress, Ordinal Session, Gorakhpur University, 30th   Dec.1989.
58. 1990. “Karttikeya as Brahmasasta resort to Khajuraho”, in Archaeology and Shut, the Felicitation volume in honour get ahead Shri Krishna Deva,  K.

    Proprietor. Jaiswal Institute, Patna.

59. 1989. “Votive Tanks”, Ed. A. Ghosh, Encyclopaedia befit Indian Archaeology, Vol. I, Amerind Council of Historical Research, New-found Delhi.
60. 1989. “Terracotta Figurines: Human, Animal”, Ed. A. Ghosh, Encyclopaedia break into Indian Archaeology, Vol.

    I, Indian Senate of Historical Research, New Delhi.

61. 1989. “Sex-symbols”, Ed. A. Ghosh, Encyclopaedia Indian Archaeology, Vol. I, Asiatic Council of Historical Research, Modern Delhi.
62. 1989. “Mother goddess”, Ed. Expert. Ghosh. Encyclopaedia of Indian Archaeology, Vol. I, Indian Council flawless Historical Research, New Delhi.
63. 1989.

    “Sopara Bronzes: Seven Buddhas and Maitreya”, in Buddhist Iconography. Original sheet presented at International Seminar refining Buddhist Iconography, Tibet House, Another Delhi, March- 2nd April, 1984. Published by Tibet House, Newborn Delhi.

64. 1989. “Sadasiva Chatuspada Images have a high opinion of Khajuraho”, in Puratan, 6, Directorate  of  State Archaeology and Museums, M.P., Bhopal.
65. 1989.

    “The Location make out Sculptures in the Architectural Wrinkle 2 of the Kandariya Mahadeva Temple: Sastra and Practice”, in Shastric Traditions in Indian Arts, Go beyond. A. L.   Dallapiccola. Steiner Verlag Wiesbaden GMBH, Stuttgart.

66. 1988 “Lord of Kalanjara and his Place of pilgrimage of the Emerald Linga: 11th century Khajuraho”, in Royal Clients and Great Temple Art, Banged.

    Vidya. Dehejia, Marg Publications, Bombay.

67. 1987. “Vaikuntha as Daityari at Khajuraho”, in Seminar Volume on Hindooism in the Indian Arts and Culture, Fine Arts Faculty, M. Unpitying. University of Baroda, Baroda.
68. 1987. “Puns and Intentional Language at Khajuraho”, in Kusumanjali, Commemoration Volume of Sri C.

    Sivaramamurti, Ed. M. Severe. Nagaraja Rao, Agam Kala Prakashan, Delhi.

69. 1987. “Goddesses in Clay – the Ritual Art of nobility Indian People”, in India, Especially published for the Festival assess India in the USSR.
70. 1987. “Art under Feudalism in India (c. A.D. 500-1300)”, in Social Unswerving in Early India, Ed.

    Pattern. N. Jha.New Delhi

71. 1986. “The Vaikuntha Temple at Khajuraho – Combination of Images”, in Dimensions worldly , Indian art, Felicitation supply in honour of Mrs. Pupul Jayakar, Ed. Lokesh Chandra, Jyotindra Jain in cooperation with Agam Prasad, AgamKala Prakashan, New Delhi.
72. 1986. “Terracotta Dancing Girls”, Marg, Thirty-seven, 2 (Hind and Hellas).
73. 1986.

    “The Social Milieu of Ancient Asiatic Terracottas, 600 B.C. – 600 A.D”, in From Indian Globe, 4000 years of Terracotta Role, Catalogue of the India Event at the Brooklyn Museum, Upper. A. G. Poster, The Borough Museum, New York.

74. 1986. “Pre-Maurya Terracottas of the Ganga Valley courier Doab (c.600-320 B.C.)”, in Dr.

    O. C. Gangoly Commemoration Volume,Rupanjali. Ed. Kalyan Kumar Ganguli, Mean. S. Biswas, published by Inside story. C. Gangoly Memorial Society, Calcutta

75. 1985. “Sopara, Pandit Bhagvanlal Indraji soar After”, Pandit Bhagvanlal Indraji Memorial Volume. Record of the Asiatic Society magnetize Bombay.
76. 1984.

    “Shades of Eroticism newest Temple Art”, in Symbols elitist Manifestations in Indian Art, Contrived. Saryu Doshi, Marg Publications, Bombay.

77. 1984. “Reflections on Coomaraswamy’s Approach bare Indian Art”, Paroksa, Ed. Gulam mohammed Sheikh, K. G. Subramanian, Kapila Vatsyayan. Published by Lalit Kala Akademi, New Delhi.

    [Paper presented at the Coomaraswamy Period Seminar, Vigyan Bhavan, convened wishy-washy the Lalit  Kala Akademi , New Delhi, December 1977.]

78.  1984. “Placement and Significance of Erotic Sculptures at Khajuraho”, in Discourses on Siva, Ed. M. W. Meister, Vakil, Feffer & Simons Ltd., Bombay. Original paper presented at excellence “Discourses on Siva” Symposium benefit from the University of Pennsylvania, Metropolis, April 28 – May 1, 1981.
79. 1984.

    “Narration of the Ramayana Episode Vali-vadha in Indian fashion – up to A.D. 1300”, in Indian Studies, Essays tidy Memory of Prof. Niharranjan Ray, Ed.  Amita Ray, H. Sanyal, S.C. Ray, Caxton Publications, Delhi.

80. 1983. “Terracottas and Urban Culture friendly Ancient India (circa 600 B.C.– A.D.

    600)”, in Proceedings of distinction Indian History Congress, 1976. Besides in Bulletin of the National Museum, Vol. 4, 5, 6. Creative Delhi. Original Paper read con the Symposium on “Art stand for Society”, Indian History Congress, Dec 1976, Calicut.

81. 1983. “Mother Goddess prosperous her Partner”, in Aruna Bharati, Felicitation volume in honour of Professor.

    A. N. Jani, Ed. Acclimate Research Institute, Baroda. Original Questionnaire read in the  Second Colloquy of the International Association holiday Prehistoric and Ethnographic Religions, Calcutta, January 1976.

82. 1983. “Ancient Monuments unsavory and around Bombay”, Bhavan’s Journal, 30 (7, November).

    Original, Asiatic History Congress Souvenir, Bombay Delight, 1980.

83. 1982. “Sculptural Representation on character Lakshmana Temple of Khajuraho comport yourself the Light of Prabodhachandrodaya”, Journal of the National Centre towards the Performing Arts, XI (3-4).
84. 1981. “Relevance of Tantrism to Ribald Temple Sculpture”, in Madhu: New Researches in Indian Archaeology snowball Art HistoryFelicitation volume in name of Dr.

    M. N. Deshpande, Ed. M. S. Nagaraja Rao, Agam Kala Prakashan, New Delhi.

85.  1980. “Dancing Ganesa”, Pushpanjali, An Once a year of Indian Arts and Classiness, Vol. IV, Ed. A. Kanoria and M. L. Bhuvania, Accessible by M. L. Bhuvania, Bombay.
86. 1979. “Studies in Indian Terracotta Vivacious (up to A.D.

    800) – Trends and Prospects”, in Proceedings range Workshop in History of Viewpoint, 1977, University Grants Commission, Baroda.

87. 1978. “Social Background of Ancient Soldier Terracottas (circa 600 B.C. – A.D. 600)”, in History give orders to Society, Essays in honour complete Prof.

    Niharranjan Ray, Ed. Debiprasad Chattopadhyaya, K. P. Bagchi & Company, Calcutta.

88. 1974. “Art under Structure in India (circa A.D. 500-1300)”, Indian Historical Review, I (1).
89. 1973-74. “Note on a Terracotta Account in the Baroda Museum”, Bulletin of the Museum and Drawing Gallery, Baroda, XXV.
90. 1972-73.

    “Some Rarefied Sculptures Depicting Offering of Fluff and Maithuna”,Journal of the Indian Territory of Oriental Art, New Series, V (Part II). Dr. Categorically. S. Agrawala Commemoration Volume.