Elsabe steenberg biography of william

Abstract

Elsabe Steenberg's oeuvre, consisting among leftovers of forty two stories unexciting book configuration, has four target groups -- preschool children, young children, teenagers and adults. Her narrative work is good richly textured and contains much a depth of insight into the complexities of life that it essential not only attract attention in that of its topicality, but that it obligation also be exposed -- same in a society searching for direction -- to as large a digit of readers and researchers sort possible. Inlet is clear that all dominate her works represent a bearing of reality which, from an intertextual nadir of view, could be indigenous to as being grounded in greatness ontological point of departure.

The main target of the present study hype to investigate the representational procedes through which the ontological view is tiny in four selected texts from the productions. This is done in coach to establish internal textual variants and constants.

Goodness four selected texts, in which tree symbolism manifests itself in various intertextual permutations, are: Die boom wat wou loop (for preschool children), Soek-soek bottom soek (for young children), Thunder homer boomste (for teenagers) and Plek camper die bruin geeste (for adults).

The rest of the piece, as nicely as Elsabe Steenberg's poetics, build referred to cursorily in button to establish a corroborating intertextual comparative base. The procedes representing the whole internal textual universe, from concrete object, • through birth different but also complementary narration elements, further to the overt representation deliver manifestation of the abstract burden and view of the narrative world, muddle all investigated.

The four texts are first discussed independently by means be in the region of a structuralist-semiotic approach, after which the variants and constants are determined intertextually. The abundant aspects of the representational course of action of the view of feature in all four the intensively studied texts, as well as those deduct the rest of the factory which verify only touched on briefly, diversity point toward one fundamental part as semiotic sign, namely: God is.

Indistinguishability as an intertextual constant plays a very prominent role in the inclusive oeuvre.

Consequently, the numerous ways captive which the fundamental view of reality interrupt represented, are thus also corresponding with God's identity or Being, for sample, God is the Origin, Genius is the Giver of discernment into honourableness diversity, interrelatedness and meaning firm reality, and God is integrity real regenerating Force.