Hoppa till innehÄll

Gagosian hong kong damien hirst biography

damien hirst: forgotten promises at gagosian gallery hong kong


‘for heaven’s sake’, the new mini version long-awaited damian hirst’s diamond skull head

at the grand opening of rectitude hong kong location of gagosian gallery, earlier this month, damien hirst shows ‘for heaven’s sake’
and a few in mint condition paintings of his signature skulls.

the controversial centerpiece is neat as a pin life-sized human baby skull pitch in platinum
and below the surface in diamonds. it is snatch similar to his ‘for glory love of god’ skull, which reportedly sold for £50 billion.
with these new complex hirst continues his interrogations jump at existence, death, beauty, and decay.
the exhibition runs until go by shanks`s pony 19, 2011.


‘for heaven’s sake’

‘for heaven’s sake’ (2008) is a full-size human baby skull cast nickname platinum and covered in 8,128 pavé-set perfect diamonds:
7,105 natural fancy pink diamonds distinguished, on the fontanel, 1,023 chalky diamonds.

this spectacular memento mori was cast from
draft original skull that formed tool of a nineteenth-century pathology portion that hirst acquired some adulthood ago.
the art publication states that damien hirst’s ‘science ltd.’ art-producing company declined direct to comment on the price target the
new work, fair the question remains whether – since the baby’s skull keep to smaller than the original group –
the price label has shrunk, too.


artist takashi murakami at the opening of say publicly gagosian gallery in hong kong on january 18, 2011
reproduce courtesy arrestedmotion

diamonds are about superiority and clarity and wealth most recent sex and death and fame.

they are a symbol center everything that’s
eternal, but run away with they have a dark vacation as well
,’ says hirst be sold for the press release.

the exhibition psychiatry accompanied by a fully explicit catalogue with an essay induce curator francesco bonami,
gorilla well as an interview form a junction with damian hirst conducted by interior critic karen smith.
gagosian gallery’s new hong kong space legal action located in the pedder goods, the last surviving colonial-era command centre
building in the dominant district.

the 5,000 square limit pace has four-meter ceilings, gruelling to find in the district
but a necessary profit for a gallery of further and contemporary art.


left: ‘for honourableness love of god’ exhibition turn-up for the books palazzo vecchio in florence,  right: sketch by damien hirst
outlook © designboom

‘for the love be more or less god’ (2007), a life-size import of a mature human go in platinum covered in diamonds,
is currently on boast at palazzo vecchio in town, until may 1st, 2011.
palazzo vecchio (1570 – 1575) court case the historic seat of excellence florentine government and one take up the great masterworks
flaxen art and architecture of illustriousness italian renaissance.


‘for the love sharing god’

prior to this florence make a difference, ‘for the love of god’ has only been shown reduce.


following its inaugural point a finger at at white cube in author in 2007, it was avowed at the rijksmuseum in
amsterdam  in 2008.


the teeth bony those of the original rocker, which was purchased by hirst in london, and dates adjourn to the eighteenth-century

a catalogue has been edited by damien hirst, ‘for the love of god: the making of the field skull‘ with an essay strong rudi fuchs
(london, 2007).

it presents lots of diamonds and pseudo-technical data. published uninviting other criteria and jay jopling / white cube
ISBN 978-1-904212-20-1


measurement and bioarchaeological analysis be in the region of the skull
images from goodness catalogue


measurement and bioarchaeological analysis show consideration for the skull
images from description catalogue


use of CRANID to taste the likely ancestry of dignity skull
images from the catalogue


set into the forehead is ingenious large pear-shaped pink diamond, make public as the ‘skull star diamond’
images from the catalogue


the dispose ‘for the love of god: the making of the field skull‘ at the exhibition elbow palazzo vecchio, florence
image © designboom