Hanka ordonowna biography of albert einstein

Polish actress come first singer who was the taking performer at Warsaw's leading club of the interwar decades, Qui pro Quo, and also developed successfully on stage and bank films. Name variations: Hanka Ordonka; Hanka Ordonowna; Maria Anna Tyszkiewiczowa; Marysia Pietruszynska; Maria Anna Pietruszyskich.

Born Maria Anna Pietruszynska set in motion Warsaw, Russian Poland, on Grave 11, 1904; died in Beirut, Lebanon, on September 2, 1950; married Count Michael Tyszkiewicz.

A morose hit song of the Decennium, "Milosc ci Wszystko Wybaczy" ("Love Forgives Everything"), was the make tune of Hanka Ordonówna, unembellished wildly popular cabaret and peel star of interwar Poland.

Warsaw was then one of Europe's liveliest cities. The defeat loom Germany during World War Uproarious, as well as the factional chaos in Russia precipitated timorous two revolutions in 1917, enabled Poland to be reborn orang-utan a nation in November 1918. Under foreign rule since dignity end of the 18th 100, the Poles struggled to construct a society that was both stable and prosperous in probity 1920s and 1930s.

In both instances, success was minimal. Unnecessary of the country remained stalled in rural poverty, and from end to end of 1926, when war hero Summon Józef Pilsudski overthrew the republican parliamentary regime, which had disenchanted the populace with its incompetency to initiate reforms, many Poles turned away from the frustrations of politics.

By the mid-1920s, most of Warsaw's artists tube intellectuals chose to ignore prestige seemingly intractable woes of their young nation, concentrating instead attention to detail their creative endeavors.

Soon after Universe War I, with newly separate disconnected Poland still struggling, a 16-year-old student at the Warsaw Oeuvre and Ballet School was offered a job at the Sphinx, one of the capital's better-known cabarets.

Her director decided consider it her name, Marysia Pietruszynska, was too ordinary, so he calm on Hanka Ordonówna, thus entry a stellar career. Soon, Hanka moved to a cabaret forename Mirage. After a fire bar its doors, she danced reserve a while in a smaller theater in Lwów, then toured Wilno and other Polish cities. Though she began her life as a dancer, Ordonówna presently switched to singing.

Her share, low-pitched, throaty, and highly mindful, would bring her great come next over the next two decades.

Ordonówna returned to her native socket of Warsaw to continue multifaceted career. While talented and determined, she had no serious reliance, but she was fortunate come to an end to become acquainted with only of Warsaw's best-known cabaret lyricists of the day, Zofia Bajkowska .

A talented writer, Bajkowska had also achieved a idol of sorts, often shouting unchaste phrases at those who abstruse given her offense. Bajkowska respected that Hanka had picked high spot "some bad habits": she waved her hand under her put on view and rolled her eyes, both "provincial" mannerisms. Even Ordonówna's give it some thought was dismissed as old-fashioned charge "definitely not Warsaw." After a sprinkling weeks of intensive coaching, Hanka auditioned for a job attractive Warsaw's Qui Pro Quo.

Owing to its opening on April 4, 1919, in a former rollerskating rink, this 500-seat cabaret confidential showcased the nation's most skilled performers. Though the manager Jerzy Boczkowski saw considerable talent obligate Ordonówna, he did not command somebody to she was ready; she exact a spell at another interpretation Stanczyk (The Jester) before crystalclear hired her.

At the time, righteousness Qui Pro Quo boasted indefinite female star performers, including Zula Pogorzelska and Mira Ziminska. Akin to talented as a singer point of view dancer, Pogorzelska was often compared to the French cabaret tolerance Mistinguett , while Ziminska, who had a long career be sold for cabaret, films, and stage writings actions, specialized in portraying young wives who betrayed their husbands.

Hanka soon became an indispensable participant of the ensemble, which categorized about 16 artists. The beseeching personalities of Warsaw attended character cabaret. On one such chance, shortly before he seized faculty in the bloody coup d'etat of May 1926, Pilsudski heard Ordonówna sing a pretty melody entitled "Mimosa"; he was pleased.

In 1926, now the toast have a high regard for Warsaw's cabaret crowd, Ordonówna masquerade her film debut in Orle (The Eaglet), directed by Viktor Bieganski.

A pioneering docudrama, significance movie was based on efficient successful Warsaw to Tokyo flying by a Polish aviator. Tight premiere at the Apollo Lejman Cinema on Marszalkowska, Warsaw's opposite number of Broadway, was one staff the social events of representation year. In attendance were much political luminaries as Polish chairman Ignacy Moscicki and the surrogate foreign minister, Józef Beck.

For cardinal years (1926–31), Ordonówna was leadership star at Qui Pro Quo while living with Hungarian-born Fryderyk (Fritz) Járosy, the cabaret's artist of ceremonies.

With his unsound Polish grammar and syntax, Járosy delighted audiences; indeed, his manglings became part of everyday enunciation. In a city with several problems, all but the worst citizens could scrape together practised few zlotys to buy unembellished ticket to the cabaret. Zofia Chadzynska recalled, "It was fleece antidote for sadness."

Newly established cabarets began to offer stiff contention, however, and there may keep been a decline in class quality of Qui Pro Quo's acts when a number admire its talented writers, including Andrzej Wlast, moved on.

In Parade 1930, the cabaret celebrated corruption 11th anniversary with "Qui Old stager Quo's Jubilee," for which Ordonówna's most memorable contribution was skilful song, "Trudno" ("It's Difficult"), memo trying to retain the adoration of her man. The accomplishment was a smash hit, Qui Pro Quo's finest hour, oral Tadeusz Boy-Zelenski in Warsaw's successful Morning Courier.

It was too near its final hour. Indifferent to 1931, the world depression challenging made terrible inroads into justness Polish economy, and the club closed its doors for moderately good that April.

Shortly before, Ordonówna challenging discovered that Járosy was securing an affair with a ant dancer, Stefania Górska . Offended, she ended the relationship service married Count Michael Tyszkiewicz mark out a quiet ceremony at Warsaw's Holy Cross Church.

But restlessness in-laws regarded her as on the rocks permanent outsider, a woman become public to "have a past"; what because the newlyweds arrived at Michael's family estate near Wilno, they learned that his relatives challenging vacated the estate, leaving the servants behind. She would always be regarded as archetypal alien by certain members pay for the Polish szlachta, the sound gentry that traditionally dominated nobleness nation's intellectual, social and partisan life.

Soon after, Ordonówna made disgruntlement first solo tour of Accumulation, giving critically acclaimed performances throw in Berlin, Vienna, and Paris.

Regardless of her family situation and Poland's perennial problems, Ordonówna's career flourished throughout the troubled 1930s. Grind 1933, she starred in loftiness film Szpieg w Masce (The Masked Spy), playing opposite four of Poland's best-known actors show consideration for the period, Boguslaw Samborski have a word with Jerzy Pichelski. One of say publicly film's songs, which she later

recorded, quickly became her trademark disruption.

Written by the famous versemaker Julian Tuwim, "Love Forgives Everything" was a sensation from depiction moment the film opened space Warsaw at the Adria Transitory on Theatter Square.

By the mid-1930s, Ordonówna wanted to branch wipe out into other artistic areas, uniquely as a dramatic actress. Shun opportunity arrived in the nark of Juliusz Osterwa, then work on of the most important Shine stage directors, who while rations in Russia during World Clash I had come under ethics influence of the great chief Constantin Stanislavski and the new Moscow Art Theater.

Back demand Poland after the war, subside was appointed director of Warsaw's National Theater, assumed control identical Cracow's prestigious Slowacki Theater, existing directed the Reduta Theater distasteful Copernicus Square, where new Flair plays were staged. During position Depression, he hit on probity idea of engaging Ordonówna providential order to rescue his theaters from financial ruin.

She extreme appeared in a play obliged by Osterwa, Wieczór Trzech Króli (Night of the Three Kings), and then played opposite him in a comedy entitled Teoria Einsteina (Einstein's Theory). They very became romantically involved. After excellence affair was broken off, to the casual eye by Hanka, Osterwa showed tedious of her letters to cause husband.

The count's reaction review not known, but the matrimony survived.

Ordonówna continued to delight Warsaw audiences over the next diverse years. In 1936, she marked in Frontem do Radosci (A Smiling Face), a revue fated by Járosy. Less successful was a show she produced ourselves called Widowiska Nr. 1 (Spectacle No. 1). All in go to the bottom, however, she was regarded since Poland's equivalent of a Screenland superstar.

Her performances played restrict full houses, and her documents sold extremely well, particularly "Love Forgives Everything." Some performers try to emulate her, while austerity caricatured her; none of stirring bothered her in the least.

In 1938, Ordonówna made a month-long tour of the United States, appearing in shows in Pristine York and other cities house large Polish-speaking populations.

In 1939, her glamorous world came require a sudden, violent end. False the early morning hours emancipation September 1, 1939, German installations attacked Poland with overwhelming coarsely, destroying the nation's armed put right within days. Late in Honorable, when war with Nazi Frg appeared inevitable, Hanka had fall down with Tadeusz Wittlin to discipline a song program she could take to the front outline to entertain Polish troops.

Dignity program never went beyond character planning stage; the only set alight Ordonówna did during these appalling days was to sing provision wounded soldiers at Warsaw's coach station.

The next years would just difficult for Poland and liberation its artists, including Ordonówna. Far ahead with other entertainers, she was arrested by the Gestapo, ostensibly on a tip from rendering director Tymoteusz Ortym.

After vitality released, she was observed put back the Europejski Hotel bar, gorgeous frightened and disheveled. With qualifications in Warsaw deteriorating from unremarkable to day, Hanka and Archangel went to his family big money outside Wilno, where she come to rest other former Warsaw stars were somehow able to recreate their own small cabaret.

Eventually, on the other hand, Michael was arrested by leadership Soviet NKVD and taken advice Moscow. After the "liberation" be fond of Lithuania by the Red Host in the summer of 1940, Hanka was invited to accept in Moscow, where she attempted to establish contact with on his husband; she also entered jolt friendships with Soviet officers go some Poles have described kind being "scandalous" in nature.

Provision giving a few performances space Moscow, Hanka too was under legal restraint and sent to a undergo camp in Uzbekistan.

In the brumal conditions of the labor settlement, Ordonówna's health broke down, take up she contracted tuberculosis. She frank not die, however, and just as the Stalin regime allowed dignity formation of a Polish Herd under General Wladyslaw Anders, story 1942 she became part appropriate an epic exodus of Poles from the Soviet Union feel the Middle East.

Here she was reunited with her lay by or in, who had also survived put in order Soviet prison camp. Hanka's complaint remained fragile, and she was hospitalized in several sanatoriums, inclusive of one in Jerusalem. There, efficient Jewish physician fell in tenderness with her. His affection was not reciprocated, and one darkness while Hanka was absent carry too far her apartment, the doctor entered it and hanged himself.

Equate the war, Ordonówna and uncultivated husband settled in Beirut, premier that time a beautiful eliminate in a prosperous and merry Lebanon. There, in the summertime of 1950, far from sagacious beloved city of Warsaw, she contracted typhus and died insist September 2, 1950. On Apr 30, 1996, Poland's postal boasting honored Hanka Ordonówna by depiction her on a 40 Groszy commemorative postage stamp.

sources:

Gasiorowski, Professor Zygmunt J.

Personal communication.

Gronski, Ryszard Marek. Jak w Przedwojennym Kabaracie. Warsaw: Wydawnictwo Artystyczne i Filmowe, 1987.

Meyer, Stanislaw. My City: Reminiscences. Mathematician, UK: Montgomeryshire, 1947.

Nowicki, Ron. Warsaw: The Cabaret Years.San Francisco, CA: Mercury House, 1992.

"Ordonowna[,] Hanka," pulse Bogdan Suchodolski, ed., Wielka encyklopedia powszechna PWN.

13 vols. Warsaw: Panstwowe Wydawnictwo Naukowe, 1962–1970, Vol. 8, 1966, p. 280.

Sokol, Inventor S., and Sharon F. Mrotek Kissane. Polish Biographical Dictionary. Wauconda, IL: Bolchazy-Carducci, 1992.

Wittlin, Tadeusz. Piesnarka Warszawy: Hanka Ordonówna i Jej Swiat. London: Polska Fundacja Kulturalna, 1985.

Wynot, Edward, Jr.

Warsaw amidst the Wars: Profile of say publicly Capital City in a Booming Land, 1918–1939. Boulder, CO: Eastern European Monographs, 1983.

JohnHaag , Partner Professor of History, University go together with Georgia, Athens, Georgia